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Student budget spreadsheet: how to make your loan last

It can be tricky to get a clear picture of your finances when you’re living away from home for the first time. This student budget spreadsheet will help you to make your student loan last and see where the money goes. It will help you for life…

I’ve spent the past few weeks talking to several hundred students on creative courses from locations all around the UK on the topic of how to make your loan last.

During the workshops, several students made the comment that they wish loans were paid-out in a more piecemeal fashion – a regular drip-feed on a weekly or monthly basis.

I think this is a fairly savvy point, which probably would help more students avoid the (inevitably) bad financial decisions we all make at some point during study. However, part of the point of higher-education is equipping you with the skills for life and, chief among them, critical thought and self-reflection.

In this sense, the loan is one of many, sometimes painful, learning curves that are part of that experience. It also strikes me that it’s not a bad rehearsal for life in the creative industries.

A dry run

Most creative workers are freelancers and most of us get paid in occasional lump sums, rather than the more steady incomes that would enable us to emulate a salary.

In this sense, making the three payments of a student loan last across the year, while topping it up with other forms of income (drawing on savings, part-time work, frantically selling your things etc.) is a pretty good emulation of the cash-flow peaks and troughs we encounter in creative work.

I’ve been using a student budget spreadsheet to illustrate to students how they might spread their loan out and get some clarity on their financial position throughout the year. I thought I would share it on here, too, along with a few pointers on how to use it, which is really the important bit.

Get the Creative Money student budget spreadsheet

(Opens as a Google spreadsheet)

Please note: You won’t be able to edit the master sheet on this link, so it’s important that you save a copy to your own Google account or download it for use with Excel before you try to edit it.

You’ll note there are three tabs: Spreading your loan, What have I got? and What do I need?

Step 1: Enter your annual maintenance loan

Start on the first tab (Spreading your loan) and enter your annual loan amount where indicated.

Student budget spreadsheet: your maintenance loan

When you enter this figure, the sheet does a very simple calculation to split the payment into three, indicating how much you will receive in payment each term.

It also divides your annual figure equally across either 9 or 12 months (depending on your selection in Box B7).

Choose 9 months if you expect to be relatively ‘bill-less’ over the summer period – for instance, you know you’re heading home and won’t need to supplement your income at that point.

If you’re planning on renting throughout summer, then go for 12.

The amount you have to contribute towards your living costs each month is then displayed in row 8: ‘Maintanence loan for term time (Oct-June)’.

This will prove useful later.

Step 2: Figure out what you have

Next, head to the What have I got? tab. This is where you take a snapshot of your financial position. This is best done once a month at the same time each month, e.g. the first of the month.

Student budget spreadsheet: your assets

Log anything you’re holding in your savings accounts, in cash, or other investments and things that hold some worth and could be converted to cash.

(As a rule, avoid listing your ‘stuff’, as selling your guitar etc. is usually a last resort).

Below you can list any debts you might hold, perhaps your overdraft, credit card and store credit.

Student budget spreadsheet: your debts

The sheet then deducts your assets (what you have) from your liabilities (debts/what you owe) and tells you what’s left.

This figure is known as your net worth, but is probably best thought of as ‘What have I got?’ hence the title…

Step 3: Enter your income and expenses (predict then review)

Now move to the What do I need? tab. This is where you capture the movement of your money in and out of your accounts for the month: your cash-flow.

Do not comb your statements line-by-line to do this. Use a budgeting app, which does the legwork for you and will automate the monthly totals for expense categories.

Your fixed expenses
Your Fixed Expenses won’t change much month-to-month.
Your variable expenses
Your Variable Expenses can be easily grouped and tracked using a budgeting app.

Once a month, open it up, drop the expense total from each of your main app categories into the relevant column on the ‘What do I need?’ tab and you’ll start to get a very clear picture of where your money is going (and how much of it is going there!) each month.

(You can of course use the apps themselves to compare monthly spending, but I find it’s clearer if you drop them on the sheet.)

Do the same thing with your income.

Your income

This is where that student loan calculation from Step 1 comes back in. The sheet pulls through your student loan portion for the month (calculated on the ‘Spreading your loan’ tab) and adds it at the top of the income column.

It’s not strictly ‘income’ but it can be thought of as such while you’re a student…

The sheet will tot up the categories to tell you your total expenses (Row 40: What do I need?) and then deduct your expenses from your income to show you your cashflow for the month (Row 43).

Your cashflow

If the figure is positive, you’re spending less than you’re bringing in, great!

If it’s negative (which it may well be during study) and continues to be, you’ll need to do something to either lower your expenses or raise your income, so take action!

Step 4: Tracking is the key to success

A lot of people will tell you that budgeting is the key to keeping your finances in shape as a student and beyond. But this is only true if you accept the reality of your expenses – and most people don’t.

More often than not we create a budget from numbers we’ve plucked from the sky. Our perception of these costs is often very different from the reality, which means we inevitably ‘break the budget’, tell ourselves off and then get demotivated and give up on it.

via GIPHY

Budgets should change. Don’t feel bad about it.

The secret to budgets (that is often not discussed) is this: Success with this stuff depends more on reflection than prediction. It is the tracking that makes the difference.

Budgets should change. It is not about chucking some numbers on a spreadsheet and hoping they’re right, it is accepting that it is a guide and it won’t ever be 100% right, then periodically checking and correcting your assumptions.

If you use an app to track your expenses and update the sheet once a month, you’ll have a much better sense of your real expenses. You can then use that information to make more realistic decisions about what to budget for the next month – and so on.

You don’t have to wait until the end of the month either. The apps often allow you to setup running totals.

For instance, you might set a limit of £100 a month for food shopping. Every time you check in on the app, it will tell you how far through that figure you are for the month – and you can adjust your spending accordingly.

Step 5: Repeat this once a month. Don’t spend ages on it.

via GIPHY

I always tell people not to spend a long time doing this.

It should be just a case of nipping through and dropping any totals from the 10 or so spending categories on your app into your sheet. Then the balances from the accounts on your ‘What have I got?’ tab.

If you’ve kept things tagged-up on the app throughout the month, this should take you a maximum of 10 minutes.

It doesn’t need to take a long time. In fact, it is much better if it doesn’t. You want this habit to stick, not become a chore.

Talking to yourself

Once you’ve pulled the info together, give yourself a moment to look over things on the sheet. Ask yourself the following questions:

  • Is there anything unexpected or surprising about the month’s spending? Why is that?
  • What was worth the money? (It made you genuinely happier, or had some considerable or lasting benefit)
  • What really wasn’t worth the money? (It was a waste, or had very short-lived benefits)
  • How does my spending compare to the previous month?
  • Is my ‘What have I got?’ number (Net worth) going up or down?

This should take you about another 10 minutes. But to be on the safe-side, let’s say the whole process should take you 30 minutes a month.

That’s just 30 minutes a month to get clarity on how much you have, where the money is going and whether you’re on a good course, or need to make some changes.

Don’t waste time agonising over decisions you’ve already made or getting forensic in your analysis of micro transactions. We’re looking at trends and overall direction here.

Spend just a little time putting these habits in place now and you’ll reap the benefits for the rest of your life.

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Investing for freelancers: what types of investment can I buy?

You’ve done the steps, you think you’re ready to go, so what types of investments are out there for the DIY investor?

I’ve spent the past few posts untangling the basics of investing for freelancers and self-employed creatives, I’ve already discussed what investment is and why you should bother and how to get ready to invest. This time, let’s look at some different types of investments.

There’s an overwhelming variety of things you can buy that are branded investments, either by others or ourselves. However, people are often overly optimistic when it comes to defining what is an investment.

As a working musician, for instance, you might tell yourself that the vintage amplifier you found on eBay is ‘an investment’, when in reality it’s mostly an electrocution risk.

If you have to spend more money on something than it generates, then it’s a liability – not an asset.

You’ll probably have to get the power adapted for the UK, get it repaired every other gig and pay a painful amount to insure it. This is all fine, if you love it and it helps you creatively, but it doesn’t make it an investment.

In fact, if you have to spend more money on something than it generates, then it’s actually a liability – not an asset. Getting your financial life in good shape depends on decreasing your liabilities and increasing your assets (things that put money into your pocket).

Disclaimer: This article is for financial information and education purposes only. It is not financial advice. Investing carries risks. The value of your investments and can go down as well as up and you may not get back the original amount invested. Always do your own research and seek independent advice where required. Read the full disclaimer here.

A class system

So what are some examples of more useful assets?

Assets are varied and numerous, so it can be helpful to think about broader groups or types of assets. Because money-people like to be fancy, and elitist, these groups of asset types are usually referred to as ‘asset classes’.

Three of the main types (or classes) of assets that might fit the definition above are stocks/shares, bonds and property. Let’s look at each of those in more detail…

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1. Stocks and shares

When you purchase a share, you’re actually purchasing a tiny slice of a company. In return for your investment, you gain the right to a share of that firm’s current or future profits (the dividend).

As the fortunes of different companies, sectors and entire markets rise and fall, so does the value of their shares.

When you purchase a share, you’re buying a tiny slice of a company.

This is because investors are anticipating better or worse dividend returns as a result of these changes and therefore considering it to be more or less desirable to hold related stocks.

This process is not always rational, of course. All sorts of things create and influence these changes in share prices, which makes them very volatile in the short-term.

The upside: if you invest directly, you get to pick exactly where your money goes and which firms you invest in. Stocks can usually be sold quickly.

The downside: very few individuals are able to accurately predict these changes and consistently make good stock picks.

via GIPHY

Mutual funds

A common way to invest in the stock market is through mutual funds. These collect the money of many investors together and use it to buy shares in many companies.

Small investors can then purchase shares in the funds and the fund manager runs the investments, deciding what, when and how much to buy and sell of the investments in the fund’s portfolio.

People describe this type of fund management as ‘active’, because a human being (the fund manager) is actively picking the stocks and deciding .

The upside:

  • Benefit from the fund manager’s expertise.
  • You can invest in many companies at once, diversifying your investment.
  • Huge variety of mutual funds available.

The downside:

  • Over time, many active fund managers do not outperform the market (i.e. do better than the average performance of the market as a whole).
  • Higher fees to cover the administrative costs and (typically large) salaries and bonuses of the fund managers.
Index funds

Another option is to invest in index funds. Like mutual funds these simultaneously invest many investors money in a collection of stocks, but this time they reflect a defined market or ‘index’ (for instance, the US S&P500 – the 500 biggest firms in the US). You invest in the fund and every pound is split proportionately across all the firms in the fund.

There are index funds tracking all sorts of indices, from the FTSE100 (UK’s biggest firms) to globally diversified ESG (Ethical Social Governance) focussed funds, which aim to only invest in companies that fit a certain ethical criteria.

The upside:

  • Diversifies your investment (reducing the risks of investing as returns are not dependent on the fortunes of just a few firms).
  • Enables small investors to quickly purchase the shares of many firms at once.
  • Lower fees as the funds do not require active management.
  • Over time, the market can often outperform many actively managed funds.

The downside:

  • You have less influence over the companies you invest in.
  • Your money may be invested in firms that are not aligned with your values.

Financial markets as whole typically tend to rise in value over the longterm and the longer you invest for, the more likely it is that this will be the case. Another compelling reason to start investing earlier rather than later.

Overall, stocks and shares (AKA equities) are considered higher risk than the likes of bonds, but have the benefit of offering much higher potential returns over the longterm.

via GIPHY

2. Bonds

Want to lend money to a company or government?

Bonds are essentially certificates of debt issued by companies or governments. If you buy a newly issued bond you are lending your money to that institution, usually in return for a certain amount of interest and the promise that the debt will be repaid by a certain date.

Many investors switch to less risky options, like bonds in their later years

They typically offer more predictable and reliable returns than stocks. However, the interest rates (and therefore returns) are low compared with the potential rewards from stock investing.

Many investors like to take on a more risk-heavy approach when they’re young and have more time to recover potential losses, but will switch to less risky options, like bonds in later years, as they near retirement or want more stability.

The upside:

  • Lower risk – typically more predictable and reliable returns.
  • A useful asset class for those nearing retirement age.
  • Can be used to balance risk (e.g. creating a mixed portfolio of stocks and bonds).

The downside:

  • Low returns make it extremely difficult for most to reach their financial goals purely with bonds.

via GIPHY

3. Property

While our own houses might not be assets day-to-day, There are lots of ways to invest in property. Figuring out the right strategy for your circumstances is key.

You can purchase a run-down flat, fix it up and try to sell it at a profit straight away (‘a flip’). You can buy houses or flats and rent them out to tenants, focussing on rental income. Or you could invest in a creating a holiday let and focus on short-term, seasonal rentals.

There are lots of ways to invest in property. Figuring out the right strategy for your circumstances is key.

Alternatively, one option for those without a large cash deposit or the inclination to run their own property empire is to invest indirectly via a Real Estate Investment Trust (REIT), which acts a bit like a mutual fund – pooling money from many investors into a managed fund that purchases property.

The upside:

  • Property prices tend to rise over time.
  • Variety of strategies for different needs (e.g. investing for regular income or intensive renovations for fast returns)
  • Can create a source of regular income.
  • Property prices have increased rapidly in recent decades.
  • Different strategies to suit different investors.

The downside:

  • Often requires a large amount of money for a deposit.
  • Your money is tied-up in the investment for a long time.
  • Selling property can be a laborious process.
  • Reliant on finding the right tenants.
  • You have to spend time researching and managing the properties (or pay someone else to do it).

There is a bit of a long-running mania around property in the UK, so be careful not to get caught up in the rhetoric and, as ever in investing, always do your own research.

brown and white medium-coated dog
Photo by Michelle Tresemer on Unsplash

Don’t panic! The perfect investment does not exist

With all of these asset classes, you invest in the hope that they will produce income and/or rise in value before you wish to sell them. However, no investment is perfect. As you can see, each of these types of investment or asset classes carries its own risks.

Knowing that the perfect investment does not exist is a liberating thought. We simply cannot get everything right every time.

Reading all of this for the first time, it can feel like a lot to consume and be tempting to put the whole thing off and avoid it all together.

However, knowing that the perfect investment does not exist is also quite a liberating thought. We simply cannot get everything right every time.

Instead, we need to think about what we’re comfortable with: in terms of the amounts we invest, our knowledge of the investments we’re buying and the risks associated with the assets we buy.

In the posts that follow, then, I’m going to look at some of the ways to manage risk when investing, untangle some of the main investment wrappers (ISAs and pensions) and discuss how to actually go about purchasing investments (this is coming last for a reason!)

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Coronavirus financial help for UK creative workers

Want to know what’s available in your sector? Start here…

This piece was first posted in July, 2020. However, the pandemic has dragged on and with it the devastating impacts on the lives and livelihoods of many of those in the creative industries. This is now the second third fourth fifth update of this page. There is definite light on the horizon, but we remain in the grip of coronavirus. Financial help for UK creatives has ebbed and flowed throughout, so let’s take a look at what’s available right now.

Just want to know what’s going on with the SEISS now? Skip to the Freelancers section

If you want to stay up-to-date with wider funding opportunities for the creative industries and shorter-lived hardship schemes, I round these up in a free fortnightly newsletter. This is usually the best place to find current opportunities.

Here I’ve rounded-up some of the key resources by sector. This list will likely be updated, so if you feel I’ve missed anything useful or important, please drop me an email on creativemoneycontact@gmail.com.

#GapsInSupport

Creative Money would also like to take the chance to shout about the significant struggles faced by those who have fallen through the gaps in government support, an outsized proportion of whom work in these industries.

These groups include freelancers taxed via the PAYE system, those setup as limited companies and paid via dividend, plus the newly employed or self-employed.

UPDATE (10 March, 2021): The government has now announced that those who filed 2019-2020 tax returns but not previous years (i.e. the newly self-employed) are now eligible for the Self-Employment Income Support Scheme (SEISS). This should apply to some 600,000 people, though only a fraction of those will be in the creative industries.

Meanwhile, those who receive most of their payments via PAYE or via limited companies are still excluded from the SEISS. Rishi Sunak has now said unequivocally that limited company directors will not be getting any more help.

That still equates to millions of taxpayers who have been unable to earn since the start of the pandemic and who have, effectively, been penalised by the somewhat arbitrary rules regarding Covid-19 support schemes.

What can you do to support the excluded?

If you’d like to help do something about this, then please support the excellent work of ForgottenPAYE and ForgottenLtd by visiting their sites and following their social media channels.

More importantly, sign the petitions they are promoting, email your MP, write to the papers/media and make your voice heard. If you’ve not been impacted directly, it’s highly likely that your colleagues have been.

Hang In There artwork - Coronavirus financial help UK
Hang In There. Credit: Ayşegül Altınel.

Submitted for United Nations Global Call Out To Creatives.

Coronavirus financial help: support by sector

Jump to your sector using the links below, or scroll down to take a look at the full range…

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Arts Council funding

Since the pandemic, the Arts Council (the body responsible for awarding public funding for UK creative work) to respond more readily to the needs of small practitioners and freelancers.

The government’s vaunted £1.57bn support for the cultural sector is being delivered via the Arts Council. However, the options below are not Covid-19-specific…

Developing Your Creative Practice

This fund focuses on helping creative workers to develop their skills and associated career options.

UPDATE (10 March, 2021): The ninth round has recently closed and applicants will notified of decisions by the end of April.

National Lottery Project Grants

Aimed at everyone from individuals to larger organisations, there is an enlarged budget of £75 million available until 21 March, 2021 and the fund is now designed to be “more responsive to the needs of smaller independent organisations and individual practitioners during Covid-19.”

UPDATE (10 March, 2021): the ‘supplementary guidance’ on supporting individuals has been extended until 31 August, 2021.

Film/TV

Bectu

Media and entertainment union Bectu has been calling for a government to create a support package to specifically aid the recovery of the much-beleaguered creative industries.

They are asking people to write to their MPs and have created this handy letter template that will populate an email to your MP, based on your postcode. It’s very easy to use, you just have to pop in your name and address.

Covid-19 – Support for the UK Television & Film Industry

This is an active support page on Facebook for UK TV and film industry workers. It’s got 6000+ members and aims to share information on everything from financial support to spare rooms. You might find it useful.

Film & TV Charity

Offer a free 24-hour support line on 0800 054 0000, or if you prefer you can email or live chat. They can offer advice on financial issues, legal queries, health and wellbeing and even career development. They also have a helpful page on financial support options amid the pandemic.

ScreenSkills

The industry body ScreenSkills is offering loads of genuinely good online training courses at present, some have a fee but many are free and offer direct access to commissioners and other industry experts.

Music

Aim Crisis Fund

This launched back in April and got bolstered by a further £300,000 (from PPL and others) in new funding in late September. It is directed specifically to support music freelancers who have lost work with AIM member’s artists. Requires nomination by an AIM Rightsholder (more info on the site).

CoronaMusicians

The excellent UK charity Help Musicians has built a dedicated site to compile a vast array of resources and support available for musicians affected by the pandemic. This includes links to government schemes, union support and charity funds, plus legal/contract advice, resources for those in music education and mental health support. Thanks very much Help Musicians.

Help Musicians Hardship Fund

We’ve highlighted this separately as it’s one example of support that can be accessed without being a member of a union (though we’d still recommend you join one ASAP, if you have the means). You can support the fund by donating to the charity.

UPDATE (8 July, 2021): The current phase of funding appears to be ongoing and will support successful applicants with a monthly top-up until September 2021.

Music Minds Matter

A helpline for anyone working in the music industry. It’s free, confidential and open 24 hours. Just dial 0808 802 8008.


Does your work situation make it difficult to save money? Check out our guide: ‘How to start saving (when you don’t think you can)


Performing Arts

Actor’s Children Trust hardship grants

ACT continues to pay Corona-crisis grants of £300 per family per month towards food and bills, as well as specific grants for children’s costs.

Equity Benevolent Fund

Full members of the Equity union can apply for grants for one-off emergency expenses like bills and food if they’re facing financial hardship.

Exchange Project

A great scheme that aims to connect the under-utilised, furloughed staff from the theatre industry with creative freelancers, in order to help the latter develop new projects and skills.

Royal Variety Charity Financial Assistance grants

The Royal Variety Charity is uniquely positioned to provide financial assistance to anyone who serves any facet of the Entertainment Industry.

Theatre Helpline

A free and confidential helpline for those working in the theatre industry. They can offer support on everything from debt and financial options, to mental health and career decisions. Just call: 0800 915 4617.

TheatreSupport

TheatreSupport is the mega resource you need for a full breakdown of support for those working in the arts. They’ve even put together this extremely useful flow chart to help you figure out where to go, depending on your role/sector.

Publishing

NUJ

The National Union of Journalists (interesting note: it’s also open to those in publishing) has a charitable hardship fund NUJ Extra for members, which can issue one-off grants to help cover bills and other crucial expenses. You can donate to the fund here. They have also put together this briefing on government support schemes.

The Society Of Authors

Have set up the Author’s Emergency Fund, which issues grants of up to £2,000 to meet “urgent need” for writers and related roles (including journos, illustrators, poets, scriptwriters etc.) No need to be a member, as far as we’re aware.

The White Pube Writers Grant funded by Creative Debuts

Not Covid-specific, but might be useful… £500 given out monthly to a working class writer based in the UK. This grant has been set up to support writers of all ages who are early in their careers and would benefit from this no-strings attached financial support to help them in whatever they like. Deadline: ongoing

Writers Guild Of Great Britain

The WGGB has a welfare fund for members to help them meet debts, or cover essential business or personal expenses. Grants are usually limited to £1,000.

Coronavirus financial help for UK freelancers

The Self-Employment Income Support Scheme has received numerous tweaks since it was first unveiled in Spring 2020.

UPDATE (8 July, 2021): The latest news is that the fifth grant will soon be available to those eligible. However, following a trend established since the third grant, the criteria and the generosity of the grants have been tightened.

SEISS Grant 5

As with previous grants, the fifth instalment has a payment cap of £7,500, which is calculated at 80% of a three-month average of your trading profits (e.g. if you averaged £5,000 profit over three months, you would receive an SEISS payment of £4,000).

This is calculated using up to the last four year’s tax returns, depending on your personal situation.

This is designed to cover May to September 2021 (a five month period) but maintains the payment cap of £7,500, meaning that is in effect 20% lower than previous payouts.

Those eligible should be able to apply from the end of July, but there’s a few things you should note: 

  • As with previous grants, you will receive a maximum grant of 80% of your average profits for three months, or £7,500, whichever is lower.
  • How much you get is now dependent on your turnover. They will look at your turnover to April 2021 and ask you to supply a previous year for comparison. 
  • If your turnover has dropped by more than 30% you will be eligible for 80% of profits (up to the £7,500 cap). If it has dropped by less than this, you’ll only be eligible for a grant of 30% of your profits (with a cap of £2,850).
  • If you were newly self-employed in the 2019-2020 tax year (and eligible for the grant) you’ll automatically be offered the 80%
  • The application window will close 30 September, 2021. 

Once again, claiming for the SEISS now means you must declare “significant reduction in your trading profits due to reduced business activity, capacity, demand or inability to trade due to coronavirus.”

As ever with HMRC, if you’re struggling to pay tax it’s best to let them know ASAP. HMRC has a Covid-19 hotline: 0800 0159 559.


Trying to keep a closer eye on your finances? Check outThe best budgeting apps for UK creative workers


Coronavirus financial help for UK students

Many of the unions mentioned above are not extending hardship funds to their student members, so if you need help start with your student union and/or education provider.

Most universities have student hardship funds, such as this one from Sheffield Hallam, which may be open to applications and can help you with grants, bill payments, advice and food voucher schemes. Housing charities like Shelter can also offer support to those struggling to pay rent or facing accommodation issues.

UPDATE (10 March, 2021): I know from my own sometime-workplace that the OfS (Office For Students) has recently bolstered certain institutes’ hardship funds significantly, so if you need help, talk to your student support/welfare office.

And finally… a note on Universal Credit

Bear in mind that if you can’t get support through the existing government schemes or funds above, you will likely still be eligible for Universal Credit (provided you are on low/no income and have <£16,000 in savings).

The system is still far from perfect and the amounts involved are simply not enough for most, but the system has reportedly improved dramatically since its launch. The standard monthly allowance is £409.89 for over-25s and £342.72 for under-25s, but this can be higher, depending on your circumstances.

UPDATE (10 March, 2021): Universal Credit payments have been topped up by £20 a week throughout the pandemic and this has been extended until September, 2021.

What did I miss?

If you have anything to add to the list above, or any recommendations or resources that have proved particularly helpful during this time, please let us know in the comments below, or via email on creativemoneycontact@gmail.com.

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Investing for freelancers and creative workers: getting ready to invest

Getting ready to invest? There are some things you should ask yourself

In my first piece about investing for freelancers, I tried to usefully define the process of investing, but how do we go about getting ready to invest? What do we need to do first?

This time I’m going to dive into some of the questions we need to ask ourselves before we can start.

It can be tempting to skip having these conversations with yourself and leap straight into buying investments, but here’s my hot-take on that: don’t.

We need to learn to walk before we can run. And before we can walk we need to check we’ve tied our shoe laces.

There are plenty of stumbling blocks in both creative work and in investing, so this piece is about trying to make sure we don’t trip ourselves up on the way.

Disclaimer: This article is for financial information and education purposes only. It is not financial advice. Investing carries risks. The value of your investments and can go down as well as up and you may not get back the original amount invested. Always do your own research and seek independent advice where required. Read the full disclaimer here.

Hurdles - investing for freelancers
Photo by Austrian National Library on Unsplash

The two hurdles faced by freelance investors

The great irony of the creative/freelance lifestyle is that despite our deep and (mostly) abiding love of the work, we are in reality, forced to spend more time thinking about financial admin than a typical 9-5 employee. Investing is no exception.

In more traditional roles, employees might benefit from being automatically enrolled in a pension, have the chance to take part in share-purchase schemes and other opportunities. They’ll likely have an HR department to talk them through their options and maybe even perks like life insurance or discounted financial advice.

“Saving is the most effective tool we have for smoothing out that feast and famine cycle and yet it’s often the last thing we’ll actually try”

Sadly, this does not come boxed and ready for freelancers, once we fill in the self-assessment forms. We therefore face a double challenge:

1) We need to learn how to compensate for this lack of a ready-made financial infrastructure by building our own

2) The feast and famine cycle of freelance creative work, as ever, makes it harder for us to predict cashflow and commit to investing

You know the pattern: if you’re in a ‘feast’ stage and loads of work is pouring in, you’re too busy keeping on top of work to spend time sorting pensions or other investments.

However, if you wait for a time when work does go quiet (the ‘famine’ stage), you feel you don’t have the spare cash required to invest, or if you do, that you’re not willing to lock it up for a long period.

Are you ready to invest?

Getting ready to invest? Be the dog, clear the log
Photo by Matt Walsh on Unsplash

So how do we get ourselves in a position to clear these hurdles?

Before we can invest, we need to know that we’ve got ourselves covered elsewhere. This means being in a position where, despite our wobbly income, we know we spending less than we earn (on average) and that we have some cash set aside for emergencies.

“If you don’t have the security of an emergency fund, you could be forced to sell an investment at the worst time”

Regular saving is the most effective tool we have for smoothing out that feast and famine cycle and yet it’s often the last thing we’ll actually try (or it was in my case).

Once you establish that habit, though, you can really create some breathing room for yourself, financially. You’ll also find it will then roll nicely into an investment process, too – as the money you are in the habit of funnelling towards paying off debt or building an emergency fund can then be redirected to your investments.

For most of us, we need to be able to answer ‘yes’ to the following questions:

  1. Am I tracking my earning and spending?
  2. Am I spending less than I earn (on average)?
  3. Have I paid off expensive debt?
  4. Have I got an emergency fund?

If you want some ideas on how to do any of those things, check out How to sort your personal finances in 5 stupidly simple steps.

Building this foundation before we invest is super important. Try and invest before you can say yes to all of the above and you tend to get caught out.

For instance, investing for a return of 7% a year (a fairly typical projection of stock market performance) makes little financial sense if we’re still stacking up debt on a 17.9% APR credit card.

An unexpected owl.

Expecting the unexpected

Likewise, if you don’t have the security of an emergency fund, you could be forced to sell an investment to cover an unforeseen expense. The paradox being that there’s always an unforeseen expense.

If this happens at a point when your investment has dipped then would have to sell at the worst time and may get back less than you put in.

This is important stuff for anyone to understand before they invest, but it’s essential for creative workers to grasp this. The tenuous nature of our work and income already leaves us more exposed to these risks than Mr Monthly-Salary, so we must ensure we have our own backs.

These steps are not new. Follow them and you’ll create a solid foundation for investing – and find life is a lot less stressful as a result.

Why are you investing?

Before you pull the trigger on any investment, you need to know why you are investing and what you actually want to do with the money.

“What do you actually need to do what you want to do? How much is enough?”

Of course, one of the most appealing things about money is that it’s pretty flexible – indeed downright immoral – when it comes to what it can be spent on. However, different investment tools and approaches suit different goals.

For instance, the freelancer investing to provide for their retirement will require a different plan to the freelancer investing to boost their income.

They might pick different kinds of investments (shares or property), different ‘wrappers’ (pensions, ISAs etc. – more on this to come) and have different ideas about the risks they are happy to take along the way.

Turn goals into numbers

Knowing why you are investing will help you understand how much you need and when you will need it. The advantage of being in a creative career is that we’re rarely just blindly chasing a paycheque, so take some time to think about the numbers behind your goals. What do you actually need to do what you want to do? How much is enough?

Come to understand this and it will help you to determine your approach to investing, understand when you have met your goals and give you the motivation to stay the course when there are bumps in the road.

Next time, I’m going to take a look at what investments we can buy, how we can buy them and some of the techniques and ideas that can help us to manage the risks of investing.

Creative Money Guides are ‘How-to’s and explainers relating to specific aspects of money management for those working in the creative industries.

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Investing for freelancers: what is it and why bother?

A jargon free guide to investing for freelancers and self-employed creative workers

You’re given three wishes. What’s the first thing your inner wise-ass asks for? That’s right: more wishes. When it comes to finances there is an option that comes pretty close to this scenario – it’s called investing…

I’ve said it before and I’ll say it again: no one gets into creative work for the money. There are benefits in creative work that far outweigh the relative dent in your paycheque. It’s an exchange the majority of us are happy to make. But with less cash available to us across our careers, we need to be smarter with what we have. This is where investing can help us.

Disclaimer: This article is for financial information and education purposes only. It is not financial advice. Investing carries risks. The value of your investments and can go down as well as up and you may not get back the original amount invested. Always do your own research and seek independent advice where required. Read the full disclaimer here.

What is investing?

The term ‘investing’ conjures up all sorts of negative connotations of city boys, YouTube shysters and sheep-stealing aristocrats. But let’s try to ignore those preconceptions for the moment, because investing is far too powerful a tool to leave in the hands of such characters.

Instead, let’s go back to the wish analogy. If our money is like wishes, then once we’ve covered our basic needs and a few things that make a genuine, lasting difference to our happiness, what’s the smartest way to use what’s left?

“Investing is about short-term sacrifice for longterm gain – this is something we are good at in the creative industries.”

Probably using it to buy things that produce more income. This is the process of investing and those ‘things’ are called assets. They come in many forms – for instance, stocks, bonds or rental property – but you can think of them as things that ultimately put money into your pocket.

Let’s borrow from another fairy story – the golden goose. That sparkly water fowl is an asset. To raise a golden goose you would need to buy the goose, invest in some feed, maybe build a pond and some form of shelter, but the golden egg it popped out every day would make it worth the initial sacrifice.

Investing for freelancers
Photo by Sharon McCutcheon on Unsplash

Don’t dismiss investing as a boring thing for boring people

Think of it this way: buying assets is how you make money work for you, instead of the other way around – and that is a considerably more exciting concept.

Each good asset you buy will generate a little bit more income. If you’re on a low or variable income from your work, investing could one day make a real difference to your cashflow.

“Keep it simple, invest in things you understand and make it a habit that you keep over the longterm”

As you acquire assets, you can choose to spend that increased income, or reinvest it to buy more assets.

The latter habit is how the “rich get richer”, why “money goes to money” and why the pandemic – with its stock market crash (resulting in cheaper assets) and subsequent recovery – has created more billionaires than ever before.

Contrary to popular belief, though, you don’t have to be wealthy to invest. Anyone who can create a bit of disposable income can choose to funnel some into investments.

Keep it up and, eventually, you may be in a situation where you have built up enough income-generating assets to make a huge difference: to your lifestyle, your travel plans or even backing creative ventures of your own.

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Thinking longterm is something creative workers know how to do

To invest, you need to make a choice to put that money into something for the longterm (in the stock market, this is usually 10 years+) instead of spending it.

Investing then is all about short-term sacrifice for longterm gain and, for all the crappy stereotypes about creative people and money, this is something we are good at in the creative industries.

“Many in creative roles have better things to do than watch the markets all day and cursing that Tesla dipped while they were in the loo.”

Any actor who spent years waiting tables so they could make auditions knows about investment. Anyone who did the internship and landed freelance work; who spent time at the funding workshops and received an Arts Council grant; who saved their gig money and bought recording gear… I’ll stop listing cliches now, but hopefully you get the picture.

We might feel repelled by some of the imagery around investment, but most creative types have already adopted this core concept.

Why you need to figure out investing now, not someday

Here’s a well-known example (I’m not the first to use this)…

man and woman sitting on brown sand during daytime
Photo by Brooke Cagle on Unsplash

Two 20 year-old twins – Early Ellie and Late Larry – start jobs with identical incomes.

Early Ellie decides to immediately invest £100 a month. She pays in for 10 years, until she’s 30, and then stops – making a total contribution of £12,000. She then leaves it invested until she is 60.

Late Larry waits until he is 30 to start investing, but then diligently pays in £100 a month until he is 60. A total contribution of £36,000.

Both get the same annual return of 7% on their money and opt to reinvest any returns it generates across that time.

Question: Who do you think ends up with more by the time they’re 60? Ellie who invested £12,000 or Larry who invested £36,000?

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Finances for first-time freelancers: tax and self assessment

Newly self-employed? Self-assessment can seem confusing. Let’s try to simplify things…

Whether you’re a tour manager or vocalist, designer or dancer, it often seems that the one thing all new creative freelancers have in common is a sense of confusion around tax and self assessment.

When you first approach it, self-assessment can be frustrating, confusing and worrying. I always think this scene from Black Books nicely captures the unique anguish of the clash between your lovely, creative brain and your tax return.

It’s not surprising then that tax and, in particular self assessment, frequently pops up among the top concerns of new freelancers.


Starting out in the creative industries? Read: Getting ready to graduate? 5 tips for new creative workers


Seeking clarity

So what can we do to alleviate some of that panic and actually get some clarity on the self assessment process? Aside from experience, it comes down to three things…

  1. Knowing where to get your information. In the UK, this will be the gov.uk site. The content in this piece is based on that information and I’ve included direct links to all the source pages.
  2. Staying organised. Regularly organising and storing your receipts, invoices and relevant bills/statements is essential. It will help you to quickly and accurately complete your return, evidence your claims should you be audited and give you more time to anticipate and deal with any surprises arising from the self-assessment process. Keep it simple and frequent.
  3. Seeking advice from a qualified professional: namely a tax advisor or accountant. An accountant can cost around £200 a year (more in London) for a basic self-employed client and may well save you this in tax and admin each year alone. At that price, you will likely still need to track your own income and expenses, but they will complete the return and answer any questions you have. Many also find the peace of mind to be well worth the fee.

Below I outline some of the key things you’ll need to know to get going as a new self-employed creative worker. This is about getting clarity – it is not an exhaustive list, it’s just meant to help you get up and running.

However, before we go any further, because I am NOT a qualified professional such as an accountant or tax advisor, I have to offer the following disclaimer, please read it.


DISCLAIMER: The information below and on CreativeMoney.co.uk is provided for financial guidance and education purposes only and is not intended to address your particular personal requirements. It is not tax advice, financial advice or recommendation and should not be considered as such.

Matt Parker is NOT a financial advisor, accountant or tax advisor and Matt/Creative Money is not regulated by the Financial Conduct Authority (FCA). This means he is not authorised to offer financial or tax advice.

Always do your own research and seek professional advice from an accountant or tax advisor before acting on any of the information provided here.

The content in this guide is based on information sourced from gov.uk and was accurate at the time of writing. Creative Money and Matt Parker cannot be held responsible for subsequent changes to the law or tax system.


Help I’m new to self-assessment!

Getting started? Gov.uk is your gospel.

First and most importantly: for all information relating to UK tax, use gov.uk’s pages on Self Assessment.

This is the official site of the UK government/HMRC. Be wary of all other platforms – even this one – as they may not always relate to the UK laws, carry the correct qualifications, or be kept up-to-date.

Do I need to register as self-employed?

When you are self-employed/freelance (unless you setup as a company or partnership) you are a ‘sole trader’ in the eyes of the taxman. Here’s Gov.uk’s criteria for being self-employed.

Anyone who earns over £1,000 in a single tax year from self-employed work (even students) needs to register as self-employed and complete a self assessment tax return. Head to Gov.uk to register as self-employed.

Once registered, you can complete the self assessment process online and the site calculates the amount owed based on your profits.

How does it work?

To calculate our profits (and later our tax) we need to know how much our business as a sole-trader has earned and how much it has spent:

Your business income – your business expenses = your profit.

You are responsible for tracking and evidencing your own income and expenses. Once a year you will then enter these figures to calculate your income tax, student loan and national insurance payment, via the self-assessment website.

Personal Allowance for self employed workers

Everyone gets a tax free Personal Allowance, which is the amount you can earn in income (or self-employment profits) before you have to pay income tax. As I write this, in May 2021, the standard Personal Allowance is £12,570.

National insurance for self employed workers

National insurance payments are collected in addition to income tax and are essentially another form of taxation.

You will be liable to pay tax and class 4 national insurance on profits above £9,569 at 9% and above £6,515 you pay Class 2 national insurance at £3.05 a week – payable annually with the rest of your bill.

Student loans and self assessment

As with the Personal Allowance, self-employed workers share the same threshold for student loans as regular employees. As of April 2021, that will be £27,295 for new graduates.

However, whereas regular employees have an automated deduction from their pay cheque, the self employed make the repayment in an annual lump sum based on their profits, which (as mentioned above) is rolled into your income tax and national insurance payment.

Here’s the gov.uk guidance on how to tell HMRC about a student loan on your tax return. Here’s a bit more about student loans, from a previous piece I wrote.

When is the self-assessment deadline?

The tax year runs 6 April to 5 April. Your first payment will be due on or before 31 January, following the end of your first tax year.

You will need to keep records of all your business expenses and income. Keep hold of these for at least 5 years after the 31 January submission deadline of the relevant tax year.

For instance, a new graduate who has started doing self-employed work after 6 April 2021 would complete their tax return following the end of the year tax year in April 2022. They will then have until the deadline of 31 January, 2023 to complete the return and make their payment. They would also need to hold the records until at least 31 January 2028.

OK, now let’s get on with being self-employed…

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Invoices and getting paid

What you need to know to create your invoices

To get paid for your work as a self-employed person, you will need to send an invoice. This is a request for payment from your clients and there are rules about what an invoice needs to contain.

Make sure your invoice includes the following information:

  • a unique identification number
  • your company name, address and contact information
  • the company name and address of the customer you’re invoicing
  • a clear description of what you’re charging for
  • the date the goods or service were provided (supply date)
  • the date of the invoice
  • the amount(s) being charged
  • VAT amount (if applicable)
  • the total amount owed

You can track the key information from your invoices (dates, invoice number, clients, jobs, amounts) on an income spreadsheet for the year. This will help you to keep on top of payments you have received and give you a running tally on your income.

Use a separate bank account for your business

Setting up a separate bank account for payments and business expenses will help simplify your record keeping process and make it easy to review business transactions.

As a sole trader, it does not have to be a business account, a separate current account will do. Should you ever form a partnership or limited company then it needs to be a business account in the business name.

Expenses

You can deduct some of the costs of running your business provided they are allowable expenses.

This is the link you need for Gov.uk’s guidance on claiming expenses while self-employed. You can’t claim absolutely every cost you incur for your business, though.

Allowable expenses typically include the following…

  • office costs, for example stationery or phone bills
  • travel costs, for example fuel, parking, train or bus fares
  • clothing expenses, for example safety gear or stage wear
  • staff costs, for example salaries or subcontractor costs
  • things you buy to sell on, for example stock or raw materials
  • financial costs, for example insurance or bank charges
  • costs of your business premises, for example heating, lighting, business rates
  • advertising or marketing, for example website costs
  • training courses related to your business, for example refresher courses

Keep records and evidence of all your business expenses and income – this might include bank statements, receipts and invoices. They need to be well-organised and accessible. This is important should you be audited, but it also makes filling in your return much easier.

You can periodically log your expenses on a spreadsheet or use an accounting app to scan/record them. If you use a digital method to store receipts, make sure you scan both sides.

Joint business and personal expenses

If you use something for both business and personal reasons, you can only claim allowable expenses for the business portion of your usage.

To calculate this you need to make a reasonable estimate of your business usage. For instance, if you know 50% of your phone usage is business related, you can claim half of your phone expenses for the year. The key word here is reasonable, so when in doubt, err on the side of caution

There are lots of areas this joint usage might apply to, but in order to make things easier HMRC provides some ‘simplified expenses’ calculations for key situations. These are flat rates you can use to calculate the costs of working from home, living in your business premises and ownership/use of vehicles. You can choose to use these instead of your actual expenses (though you will still need to retain records of your actual usage).

Using your vehicle for work

If you use your vehicle for work purposes, you can claim a flat rate for work trips of 45p per mile for the first 10,000 miles and 25p per mile thereafter. Across a whole year this could really add up, so remember to track your mileage, particularly if you’re a touring artist.

While, we’re on the topic of vehicles: remember you will need to add business use to your car insurance if you use it for work. Otherwise, you may not be covered for any accidents that happen while travelling for work.

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Saving for your tax payment

The art of saving when you don’t know how much you’ll need

A tax bill can represent a significant amount of money, so it’s a good idea to ‘save as you go’. One way to do this is by deducting a percentage of each payment made to you to set aside for your tax bill.

A loose rule of thumb is to save 25% of everything you are paid for self-employed work. However, those anticipating payments on account, may want to aim for more like 40%.

This will vary for everyone, of course. If you want a little more clarity on your own numbers, Gov.uk has a tool to help you budget for your tax bill.

You may also find it helpful to store those savings in a separate bank account for each tax year, as it can help you avoid the temptation to dip into them.


Struggling to establish a savings habit? Read: How to start saving (when you don’t think you can)


Completing your tax return

Calculating your tax bill

Once you are registered you can login to the self assessment portal and complete your tax return from the end of your tax year (5 April for most). Your tax return (and subsequent first payment) will be due by 31 January in the following year.

You’ll need to enter some information about yourself and your business, then enter the figures as prompted for various forms of income and expenses. It will then produce your calculation for your tax, national insurance and student loan payments based on this information.

It all comes out as one total figure. This is how much you will need to budget to pay by the 31 January (and, if necessary, 31 July) deadlines.

Don’t forget payments on account

If your tax bill is more than £1,000 you will likely need to make payments on account. These often surprise people who are new to self assessment.

  • This is a downpayment on your next tax bill that equates to 50% of your current tax calculation. Payments on account are split equally across two instalments. One is due 31 January alongside the rest of your tax bill, the other by 31 July.
  • Effectively, once you hit the threshold you will need to pay 150% of your tax bill across the January and July deadlines associated with that tax year – the current calculation amount and the additional 50% downpayment on next year’s bill.
  • The following year you will pay the remaining balance (i.e. the difference between your actual tax bill for that year and the payment on account you have previously made) and your next payment on account instalment. This then feeds into the following year’s bill and so on…
  • Here’s the gov.uk link for more information on Payments on Account

Need help? Don’t wait to contact HMRC

If you have an issue, the absolute worst decision is to ignore it – there can be serious penalties for not paying your tax. There’s almost always a better outcome to found by taking any problems directly to your accountant or HMRC.

Here’s the Gov.uk link on Help and support for self-assessment

Here’s the HMRC Self Assessment advice line: 0300 200 3310.

HMRC are even on YouTube. They post using the (very catchy) handle HMRCgovUK. See…

https://www.youtube.com/watch?v=L8F6micVczE&list=PL8EcnheDt1ziQSjJNRITtCf7XD_ne-_lQ

How to pay your self assessment tax bill

Finally, when you have completed your calculation and have enough money set aside, you have to pay your bill!

Fortunately, HMRC make this step nice and easy. There are options for bank transfer, direct debit, debit card payments, paying via your bank or building society and paying via cheque, among others. See the full list of ways to pay over on the Self Assessment site.

Whichever method you choose, make sure you allow plenty of time for the funds to clear, as they need to be with HMRC by the deadline date for you to avoid late penalties.

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Getting ready to graduate? 5 tips for new creative workers

From understanding student loan repayments, to calculating if you’re ready to move out, here’s what you need to know

It’s late April and those of you in higher education will currently be torn between a looming fear of final assessments and a looming fear of entering the workplace and post-graduation life. Finding your way in the creative industries is hard enough as it is and, while no one is in it for the pay, having a handle on your personal finances nonetheless has a very direct impact on your ability to sustain your creative work.

Life after graduation is sort of a weird time. After three years of independence, it often takes a surprisingly short spell at home before you realise that, actually, you very much need to be anywhere else. No shade on your parents (I’ve met them and they’re wonderful), I think it’s just an evolutionary thing.

“Establishing a few good financial habits could make a real difference to your ability to survive initial knocks”

Roles in the creative industries lack the graduate schemes, clear-cut salaries and HR conveyor belt of corporate roles. We all know this going in, but there’s also a part of each of us that is nonetheless banking on being the lucky individual who just happens to land a salaried dream job out of the gate.

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More likely, you’ll wind-up self-employed, working part-time out of the industry, in work experience/apprenticeship positions or some combination of all three, meaning it can be hard to figure out how or when you’ll be able to support yourself.

As part of my Creative Money workshops, I’ve been talking to creative students about how to set themselves up financially for life after study. This can be an expansive conversation, but there are five points I think it’s important to get across…

1. Setbacks are normal (pt. 1): Getting used to it takes time

Even in the most glitteringly successful creative careers, you will definitely encounter a hefty amount of rejection and you will very likely face some form of redundancy.

In addition, if you’re anything like me, you will entertain an ongoing series of identity crises. I question who I am, what the hell I think I’m doing and tell my wife ‘I’m leaving music journalism’ roughly every six months.

“The truth is that your emotional and financial resilience is built over time”

I am not sure if the right word for all of this is ‘normal’, but it’s certainly par for the course in creative work, as are many positive elements, for example: meeting interesting people, not dreading the alarm, moments of intense, victorious elation and bragging to people at house parties.

I don’t say this to deter anyone, more to reassure you that when the time comes that one or all of the above is happening to you: it’s not your fault, it’s not a sign – it’s just your turn.

Bloggers will often say unhelpful things like, ‘get used to it’, but the truth is that your emotional and financial resilience is built over time. Starting out from a place of relative strength, then establishing and building on good financial habits could make a real difference to your ability to survive those initial knocks.

2. Setbacks are normal (pt. 2): Emergency expenses WILL occur

I’ve said this before but it bares repeating: you cannot know when or where an emergency expense will hit you, but it will definitely happen.

You can really limit the impact of these by building up an emergency fund. Typically, the advice is to initially aim to hold £1,000 or a month’s expenses (whichever is higher) in reserve and then expand that to three months’ expenses over the longer term.

“Creative work tends to operate on a ‘feast and famine’ cycle, so putting money aside is crucial”

If you’re living at home and keen to move out ASAP, this might sound like the sort of expense you could skip (particularly when you might be factoring in rental deposits etc.), but it’s worth sticking it out a few months more and building that cash buffer if you possibly can.

Not only will give it you a sense of extra confidence and security, but starting out with an emergency fund in place could make the difference between you maintaining that independence or having to move home for a much longer stint down the line.

Creative work opportunities tend to operate on a ‘feast and famine’ cycle, so putting money aside is crucial. What longevity, stability and freedom I have achieved doing this work has been directly proportional to my ability to accept that I have to save.

What’s more, it has probably not escaped your attention as a new graduate that we are living through the worst economic calamity for 300 years. We’ve all got our fingers crossed for a swift recovery, but when newsreaders talk about ‘economic pain’ in certain sectors this is usually code for ‘we have shafted the young in order to protect the management team’s pensions’. Protect yourself with savings.

3. Know how much you need to support yourself

This is all about figuring out your likely monthly expenses figure.

Try to be accurate. As an inherently optimistic idiot person, I find this quite difficult. The best way I have found to do this is to stop predicting and start actually tracking my spending using a budgeting app.

“Don’t judge yourself on what you see –  when you involve emotions figures have a habit of getting ignored or rounded down”

You download it, connect it to your bank account and it will automatically categorise your transactions. Use it for a month or so, review the information to make sure it’s correct, but don’t judge yourself on what you see –  when you involve emotions figures have a habit of getting ignored or rounded down.

If you’re living at home after graduating and looking to move out, this will give you a reasonable idea of your current spending and what non-essential items you could cut if you decide to redirect that money towards a higher priority (e.g. rent on your new place).

Your app will give you monthly totals. Add these up and factor in your projected utilities, council tax (more on this below), rent costs and a savings buffer to get an accurate picture of how much you’ll need to earn on a monthly basis to support yourself.

Here’s a handy tool for estimating utility bills for a property, based on its location and how many rooms it has.

4. Get a full picture of your accommodation costs

Accommodation is one of the ‘big three’ expenses, alongside food and transport, so spending time to get it right will pay-off month after month.

We all have access to Rightmove and Zoopla, so it’s now easy to establish a reasonable rent for an area with a bit of online investigation.

“Council tax is not a sexy topic, but it never fails to surprise at least a portion of new graduates”

However, do make sure you investigate the area (talk to people who know the area, Google it, look at the transport options). Then book multiple viewings and spend a little time walking around there on the day – you’ll soon get a feel for whether it suits you and your budget. It takes a bit of effort, but it’s worth it.

Also worth noting: agents have a habit of showing you places at the top of your budget, so resist their tricks and be cautious about committing on a big rent payment.

As above, don’t forget to factor in utilities and council tax when you’re totting up the pros and cons. Council tax is not a sexy topic, but it never fails to surprise at least a portion of new graduates. It’s a tax on domestic property set by your local council and paid by the occupants of that property.

I have lived in five cities around the UK in the last decade and it’s varied wildly. My anecdotal experience is that it (perversely) tends to be higher in cheaper cities, because they are skint. Currently, I live in Liverpool (you should, too – it’s brilliant) and it’s about £130 a month for my house, which is… unpleasant.

If you’re living with others, council tax is an expense shared between all occupants, much like rent and utilities. So before taking on a rental room or property, make sure you find out what bills are included and what share you’ll be expected to pay. Note them down, so you can make a proper comparison.

Be aware that council tax, like most of these expenses, also has a nasty habit of increasing each year. This (and the fact you didn’t have to pay it a few months previous when you were young and carefree) is why everyone complains about it… You will get used to it, though.

5. Don’t fear your student loan repayments

There is a lot of noise around the student loan system in this country.

Agreed, it is not perfect and compared with your parents’ system, or even the system of 10 years ago the figures can seem astronomical. However, I’m in agreement with Martin Lewis (great video from him below) in that it behaves much less like a loan and is really a misbranded graduate tax.

“In England, you won’t start repaying your student loan until you are earning over £27,295 a year”

Tax doesn’t sound like much more fun, admittedly, but this is a ‘progressive tax’ (the good kind). This means that if you earn more you pay more and if you earn less you pay less.

That’s right: what you repay is based on what you earn, not what you borrowed and after 30 years, any unpaid amount is wiped.

This differs dramatically from a traditional bank loan, which is calculated on what you owe, not what you earn. In that situation, there’s always a fixed minimum payment, it’s up to you to setup and maintain those payments and it is never wiped (with the possible exception of declaring yourself bankrupt).

When do I have to repay my student loan?

You won’t start repaying your student loan until you have left full-time education and are earning over £27,295 a year (for April 21-22) in England.

If you’re self-employed it’s calculated as part of your annual tax return and if you’re salaried it’s repaid via PAYE (your monthly paycheque).

How much will my student loan repayments be?

In April 21-22, your student loan repayment will be 9% of any amount you earn over that £27,295 threshold.

For example, if you earned £27,395 (£100 over the threshold), you would repay £9 for the year.

£27,395 (your earnings) – £27,295 (the threshold) x 0.09 = £9

If you earned £28,295 (£1,000 over the threshold) you would repay £90 for the year.

If you want to get some sense of what this might mean for you and your potential income situation, pop your figures into this salary calculator (and select repayment plan 2 from the student loan options).

Bear in mind, too, that a significant number of creative workers won’t repay any loan. A poll by the Musician’s Union last year found that 87% of musicians expected to earn under £20,000 in 2020. If you’re repaying anything, take it as a good sign!

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Guides Resources

Mentoring and the creative industries: How can a mentor help you?

We talk mentoring for creative workers, with I Like Networking’s Isabel Sachs

There has been an increasing awareness around the concept of mentoring in the creative industries for the past few years. The pandemic has only supercharged this trend. I spoke to Isabel Sachs, founder of I Like Networking, about the benefits of mentoring, how to find a mentor and how to make the most of a mentorship opportunity.

For all the considerable challenges of Covid-19 facing creative workers, there has been a silver lining. The resulting technological change has simultaneously opened new doors and clearly highlighted the vast disparities in gender and racial equality that exist in all walks of life, not least the creative sector. As such, there is now a rising desire to share knowledge/contacts, actively address inequality and generally extend a helping hand to those who are trying to progress in the creative industries.

I spoke to Isabel Sachs, who has just launched I Like Networking’s second annual mentorship scheme for women and non-binary professionals entering or working in the creative industries. It’s completely free to take part, so check out the stellar line-up of mentors and, if you’re interested, you can apply until 19 April, 2021.

I took the opportunity to ask Isabel a few questions about the scheme and the benefits of mentoring for creative workers. Here’s what she had to say…

What’s your background in the creative industries and what motivated you to start I Like Networking?

“I first started in the creative industries serving coffee at film sets when I was around seventeen years old, so it’s been a while! I didn’t know exactly where I would fit in so for a few years I experimented quite a bit, working at an art gallery, fashion shows and more. I got really into the film industry world until a chance encounter with two artists and directors led me to open my own company in Brazil. It was a great experience and I’ve learned so much, so fast.

“I sold it in 2015 after having moved to London to explore other options. While I was here I did a masters in arts management at City University and worked at various organisations such as V&A and East London Dance. I was on a new freelance project in music when Covid hit in April 2020 and, well, that didn’t go ahead!”


In need of financial support amid the Covid-19 pandemic? We’ve rounded-up some options here: Coronavirus support: resources for the creative industries


“Having that support and soundboard was essential, not just to my career development but for my mental health”

Isabel Sachs
Please tell me a bit about the ILN mentoring scheme. Who is it for and how does it work?

“The mentoring scheme is for women and non-binary people aged 18+ who work or want to work in the creative industries. It’s international and is intended for anyone who needs support getting ‘unstuck’ or perhaps pivoting. Mentees are paired with their mentors for four sessions over 3-4 months, throughout which they will work on goal-setting, tools and will also be introduced to other industry connections through their mentors. In 2021 we have over 50 mentors involved, working in Marketing, Music, Theatre, Visual Arts, Social Impact, Fashion and more.”

Isabel Sachs (founder of I Like Networking mentoring scheme)
Isabel Sachs, founder of I Like Networking
Have you had the benefit of mentors? How did they help you?

“I never had a formal mentor but I was very lucky to have tons of informal mentors throughout my life. Having been an entrepreneur and a freelancer for most of my career, having that support and soundboard was essential, not just to my career development but for my mental health.”

What difference can a mentor make to your career? Do you have any good examples in this respect?

“A mentor can do wonders for anyone who is willing to put in the work. They can help you understand where your strengths lie, where you might be sabotaging yourself and especially regain confidence. We have a podcast episode coming out 26 March with former mentees from our programme, which are great examples of all of that!”

“Mentors can help you price yourself correctly and even negotiate”

Isabel Sachs

How to find a mentor

How can someone find or identify a potential mentor?

“A mentoring relationship is one of trust. So, I’d start by assessing why you want a mentor now and what are the key issues you’re wanting to work on before reaching out to someone. It can be a peer that seems to have strengths in that area, or someone whose career trajectory you truly admire. Ideally, you’d start building a rapport and start to have conversations with someone before asking for a formal mentoring relationship but you can also have mentors (like I did) that you connect with ad-hoc throughout your life. We have a whole session on finding mentors [below]!”

What tips do you have for readers who are thinking about approaching a mentor?

“Know what you need from them and be clear on how you think they can support you and how much support would you need (is it a one-off conversation? Four sessions across six months?) Be clear on your goals and why you think they would be the best person for this.”

Click here for I Like Networking's mentoring scheme
If you like the sound of I Like Networking’s mentorship scheme, apply before 19 April, 2021.
What should we consider when establishing a mentor/mentee relationship?

“It is important to understand that a mentor sort of keeps you company while you go through your career development or career hurdles. They won’t do the work for you, so you must be ready to do a lot of work yourself, listen to prompts and, most importantly, be open to feedback. But I’d say respect and trust are they elements to consider”

The not-so-secret mission of Creative Money is to help people figure out how to sustain themselves in the creative industries. Is it OK to discuss finances or how to navigate the financial realities around creative work?

“100% – I think this is vital as well and I grew up with a lot of privilege in that aspect because my parents were adamant with teaching us financial education from an early age. When I opened my own company, my father used to say he was my back-office: he taught me a lot about cash flows, taxes and pension. I talked to colleagues and informal mentors about this a lot as well. Mentors can support you with finding a business model that works for you, help you price yourself correctly and even negotiate.”

“Individuals who work with great mentors see more promotions, increased confidence and better personal and professional outcomes”

Isabel Sachs
It feels like the idea of mentoring has really caught on in the UK in the last few years – becoming more accepted by both potential mentors and mentees. Why do you think that is?

“I am not so sure! But I’d say since the pandemic I definitely saw a desire to be proactive and support one another and mentoring is a fantastic way to do that because it really is a relationship which is mutually beneficial and accessible to almost anyone. The results speak for themselves – individuals who work with great mentors see more promotions, increased confidence and better personal and professional outcomes. What our programme adds to that is the networking aspect which is KEY in the creative industries which still often operate on the basis of who you know, so we are trying to smash some of those barriers that way.”

What final words do you have for anyone who is nervous or hesitant about approaching someone/joining a scheme?

“Feel the fear and do it anyway. If you feel like you’re stuck and you’ve tried everything else, mentoring is a free tool and you receive what you put into it. You can also start by reaching out to a trusted friend and colleague with small things such as reviewing your CV and cover letter or doing a mock interview with you. You will receive feedback, probably see the value in it and be ready for more! Also, as mentioned, take a look at our podcast and other resources as they will help you demystify some of that.”

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Blogs Opinion

5 lessons learned from talking to creative students about money

Back in November, I launched a series of online workshops at music colleges across the UK, the aim of which was to help creative students to better manage their money.

The idea being that if they can figure it out during their studies they might have an easier time while in education and start their professional lives on a stronger footing. As a result, I have spoken to students from Manchester to Brighton, London, Bristol and Birmingham. It’s been really interesting to see how this stuff connects with people.

“I always ask people who come to the workshops what financial education they have received. The most common answer is ‘I haven’t had any.”

Like many of us, I am what you might optimistically call a ‘multi-hyphenate’ freelancer. Alongside my main role in music journalism, I also spend a day a week teaching budding music/media types and I do Creative Money stuff about one day a fortnight. The workshops have felt like a good way to bring all these threads together.

What’s more you learn pretty quickly as a tutor that your knowledge is highly subjective. So, with the first iteration of the workshops, I tried to be a good listener. Now, as I go into the second run of these workshops, I’ve been pondering some of the main points I’ve learned from the first run. Here’s what I’ve found…

1) Fix the cause, not the behaviour

It probably won’t come as a surprise that students worry about money, however, the proportion still surprised me. An astonishing 71% worry about making ends meet, according to Save The Student’s annual money survey. Money gets quite intertwined with our emotional state sometimes and many of them tell me that they have experienced anxiety when checking their balance.

I can get on at them about using a budgeting app, but if someone feels they can’t check their balance in the first place, it’s not going to help. Instead, I’ve realised that helping people to think about the causes of that anxiety (be it self-judgement, role models, or a simple knowledge gap when it comes to money) needs to take priority before you can change those behaviours.

2) We still have a major issue with financial education

I always ask people who come to the workshops what financial education they have received. While a few have had some tips from parents, the most common answer is ‘I haven’t had any.’ Again, Save The Student’s annual money survey backs this up, with the vast majority (71%) saying they wish they’d had a better financial education.

Martin Lewis has made some good strides in partnership with Young Enterprise and this stuff is now on the secondary curriculum, but it seems it’s still potluck when it comes to the depth and resources devoted to the topic by different schools.

The majority of the young adults and adults in this country (i.e. those with almost ALL the earning and spending power) have had no financial education outside of the ‘university of life’, ‘school of hard knocks SON’ etc. Talk about the blind leading the blind…

I have written before about the fact that you can not be inherently bad with money – most of the time we’re just not educated. However, the more I consider the lack of educational infrastructure around this utterly essential topic, the more the situation strikes me as completely insane. And that’s before we try to get our heads around the misbranded student loan system…

3) Location matters

Because I am A COOL GUY, I surveyed students at the beginning and end of the five week course. They were asked to gauge agreement or disagreement with a number of statements, for instance, “I know what to do if I run out of money.”

One thing that struck me was that students in London and Brighton were noticeably more anxious about their finances. Those students’ biggest gains in the course came from alleviating anxiety points. For instance:

  • “I am confident avoiding or getting out of debt” = 50% increase
  • “I know what to do if I run out of money” = 68% increase
  • “I worry about running out of money” = 46% decrease
  • “I feel anxious about student debt” = 53% decrease

While I’m pleased to see the course helped them, I think it’s telling that they made noticeably greater gains in these areas than their counterparts in Manchester.

Of course, many students already consider living expenses when picking a university, but the numbers would suggest that those in places like Manchester were generally happier about their finances.

Given money’s ability to affect everything from our mental health, to our diets, relationships and even our ability to focus on education, the financial impacts of the location are worth serious consideration when picking a place of study.

4) Most of them know much more than I did

I was not great with money at university and I had good financial role models around me.

“The students I meet rate far, far lower on the ‘financial tool-o-meter’ than I did at their age. This is a good thing.”