Categories
Guides

The best budgeting apps for UK creative workers

Untangle your personal finances with our guide to the best budgeting apps for UK creative-types

Working in the creative industries has its ups and downs – and not least when it comes to our cashflow. This can make it really hard to budget effectively. The best budgeting apps make this process much less painful, taking full advantage of the ‘open banking’ revolution to quickly and clearly calculate our cashflow and spending. What’s more, most of them are free, too

Often in creative careers our finances will vary greatly from month-to-month. One month you can be sat at home wondering where the next gig will come from, the next you could be earning and paying a second rent in a new city.

The budgeting process usually relies on predictability – and that is something that is in short supply in our field

This makes budgeting exceptionally difficult for creative workers. It’s a process that normally relies on predictability – and that is in short supply in our industries.


Does your work situation make it difficult to save money? Check out our guide:How to start saving (when you don’t think you can)


Budgeting apps can be particularly useful to creative workers because the data will usually be much more up-to-date and easier to interpret. This is helpful when your income and expenses somewhat wildly fluctuate!

A good budgeting app can

  • Make it easy to track and sort your income and spending into categories
  • Give you a clear picture (via fancy graphs and charts) of your income, spending and cashflow
  • Help you compare the above across the months/years
  • Allow you to set budgets for defined projects/categories
  • Keep you up-to-date on how much you have left
  • Help you to identify potential savings on your bills
  • Help you to save or invest by siphoning off cash on a daily basis (for instance, by rounding up transactions)
  • ‘Gameify’ the process of money management

Most do this by connecting to your bank (with your explicit permission) and regularly importing your transactions for analysis. Some have the power to make transfers between accounts, but most just look at the data.

If this sounds a little suspect, rest assured that all of those featured on the best budgeting apps list are regulated by the Financial Conduct Authority, which is there to ensure they behave themselves. Do not use any service which is not FCA registered.

Want to make sure you never miss a post? 
Sign up to the Creative Money newsletter!
Let me read it first >

Things to consider when picking budgeting apps…

What do you need?

Each of these apps has different strengths and weaknesses. Some are great at budgeting, some can help you save more, others have better spending analysis or clearer interfaces.

I have my preference (below) but you might need to try a few. Ultimately, the ‘best budgeting app’ is the one you will actually use consistently. Just keeping half-an-eye on these things will help you to improve your finances (lowering expenses, increasing savings), so know thyself! Which one will most encourage you to keep track?

Cost

Most of the apps below are free, but some have a small subscription fee or premium tier that gives you more options.

How many accounts and types of accounts do you want to manage?

Do you want a budgeting app that’s a one-stop shop to plan and keep track of your assets (including pensions and the value of your home)? Or simply an app that makes it easy to monitor a basic set of current and savings accounts?

How will you use the app?

It’s good to consider how you will use a budgeting app as part of a wider system.

You might be keen to set goals and boost your savings or pension. Or you might want to use the app to easily calculate your monthly income, spending and savings and track those total figures in a separate spreadsheet.

Alternatively, you may want separate apps for work expenses and personal finances (perhaps you have an accountancy platform with whizzy apps for your work stuff and just want something simple for personal finances).

Most give you various export options for data so you have even greater flexibility if you require it.

1. MoneyHub

Best UK budgeting apps for UK users: MoneyHub

Best for making a complex picture clear

This is Creative Money’s preferred choice of budgeting app. It helps you to keep track of income, expenses and savings (like Money Dashboard et al), but you also can pull in an impressive range of investment accounts, pensions and even home equity.

For
  • Makes a complex web of account types easy to understand
  • Easy transaction tagging process (compared to other apps)
  • Great as a simple way to keep track of net worth
  • Spending and income analysis tools are really clear
  • Big range of accounts supported (including Vanguard)
Against
  • Some users say it’s not so hot on the predictive/forecasting side
  • Has a sideline in trying to direct you to financial advisors, too (but doesn’t rub it in your face)
  • It also comes with a small monthly fee of £1.49

2. Money Dashboard

Best budgeting apps for UK users: Money Dashboard

Best for those who want an established name

Probably the biggest name among UK budgeting apps. It set the template in many ways: you connect your accounts, tag your transactions and it will start to automatically group them into categories for tracking/comparing month to month.

For
  • Money Dashboard has won multiple awards
  • You can also set multiple budgets (telling it which categories to track) and add recurring bills etc. to predict cashflow
  • Was the first UK app to really crack the blend of an intuitive interface and mainstream connectivity
  • New features are rolling out all the time and a ‘predicted balance after bills’ feature is useful for those with a regular income
Against
  • The recent redesign, Money Dashboard Neon, has not gone down well with everyone
  • Some say it’s a little glitchy and lacks some of the utility of the classic version

3. Emma

Best budgeting apps for UK users: Emma

Best for finding those sneaky fees and expenses

The makers of Emma describe their app as ‘a financial advocate’. Their USP is that it analyses your transactions and tries to find ways to keep you in good shape, financially.

For
  • Keeps track of the sneaky stuff you often don’t notice
  • Seeks out subscriptions you don’t need
  • Uses notifications to help you avoid overdraft
  • Compatible with cryptocurrencies [this is NOT an endorsement of crypto – but that’s another post]
  • Clear interface.
Against
  • Can’t split transactions across categories on the free version
  • Some people don’t get on with the interface’s super-bold colour scheme
  • Pro plan is quite expensive (min. £4.90/month).

4. Yolt

Best budgeting apps for UK users: Yolt

Best for keeping it simple

Yolt likes to keep it simple. It offers you a place to connect and view multiple accounts and doesn’t get hung up on fancy tech to make predictions or do things for you.

For
  • Easy to use, with intuitive auto-categorisation
  • Simple to set and review budgets
  • Stealth mode allows you to show off app without personal info
  • Payday tracker
  • Free for life with no premium mode
Against
  • Pay tracker only works for monthly/four-weekly
  • Not as clever or customisable as rival apps
  • Unlike the others here, there are no options for savings goals/projects
An artist AND an app-user
Photo by bruce mars on Unsplash

How did we pick?

Through a blend of personal usage/testing, user reviews and considering research conducted by other independent platforms. Creative Money is 100% independent and has no affiliation, commercial or otherwise, with any of the brands mentioned above.


How can we help you?

What issues are you facing? What questions do you have about managing your money in the creative industries? What would be most helpful to you?

We don’t have all the answers, but maybe we can find someone that does.

Send your questions and suggestions to creativemoneycontact@gmail.com.
We want to hear from you.

Categories
Blogs

7 reasons to be cheerful: what’s working in the creative industries right now

Creative workers seeking silver linings, start here

It seems like there’s been nothing but bad news for the creative industries since the start of the pandemic. However, good things have happened. Let’s take a moment to celebrate some of them…

We should start by acknowledging the giant, viciously-tusked elephant in the room: things have not gone well lately for creative workers.

Camera operator, dancer, opera singer, publisher, podcaster, designer, writer, photographer, or musician: the one thing we all have in common right now is that our industry, our finances and our access to wider opportunities, have all taken a considerable hit.

It can be easy to lose hope in the face of such news, but this is exactly why it’s crucial to recognise and celebrate the victories of the last few months. And there have been victories. Skills have been gained, organisations formed and new community champions have emerged, all of which will have lasting, positive impacts on the creative industries.

Ever the optimist, below I’ve rounded-up a few reasons to be cheerful…

Freelancers make theatre work – established June, 2020

1. Our professional communities have grown much stronger

Wherever you look in the creative industries, you will see new organisations forming, new voices emerging and established bodies finding new ways to connect with their communities.

Take Freelancers Make Theatre Work, for example. They only launched in June, but have since worked relentlessly for UK theatre workers, sharing a huge variety of useful resources (from mental health to financial guidance), showcasing the people behind the industry figures and being somehow both fierce and friendly in articulating freelancers’ needs.

Elsewhere, the mentoring and development opportunities on offer from existing bodies like Women In Film & TV, ScreenSkills and Presspad UK have been really well-received. Helping their respective industries to open-up a little more and start to move beyond simply paying lip service to the idea of community.

2. Tom Gray’s #BrokenRecord campaign is raising awareness of an inadequate royalty system

Songwriter and Gomez man Tom Gray has been doing a fantastic job of highlighting streaming services’ low royalty payments at a time when musicians and writers most depend on them.

A songwriter might get just 6.5% of a song’s streaming revenue of “approx £0.005 per play, ” Gray says – and this can be split across multiple writers.

The problem is by no means solved, but more people are aware of it than ever, the pressure on the streaming services to change has never been higher and there are now real conversations being had about alternative models and solutions.

How to get started on Patreon
Patreon passed the $2 billion mark recently

3. Fans are backing artists and creators in more ways than ever

Patreon says creators have now raised more than $2 billion via its platform. It reportedly took six years for the first billion, but just 15 months for the second. Meanwhile, 100,000 new creators have signed-up since March. It’s no panacea but it shows people are realising that their favourite creatives need real backing, not just meagre royalties or Google Ad revenue.

Elsewhere, BandCamp – hailed by the industry as one of the best ways to support musicians – has risen to the challenge. Since they start of the pandemic they have channelled some $20 million directly to artists and labels via the BandCamp Friday scheme, which sees the firm wave their platform fees on the first Friday of the month. They also report that since March, fans have bought over $75 million worth of music and merchandise via the platform.


Want to know more about Patreon? Check out our guide How does Patreon work for artists and creators? featuring UK podcasters RedHanded.


4. The Music Venue Trust’s #SaveOurVenues campaign has already helped save 140 iconic small venues

The Music Venue Trust is a charity that aims to protect the UK’s grassroots venues, recognising that our world-beating music industry needs to be supported from the ground-up. They have performed phenomenally well during the pandemic, playing a big role in securing the £2.25 million emergency support package that kept the lights on in over 140 of the UK’s finest small venues. They are still over 400 that need help, but they’re still coming up with innovative ways to raise cash and awareness.

In addition, they’ve also raised £1 million for their own crisis fund, led a new ‘Passport Back To Our Roots’ (big artist, small gig) initiative for re-opening and secured £2.2 million support for Scottish venues.

The #SaveOurVenues campaign still needs support and you can donate here

Excluded UK logo
ExcludedUK have done much to champion cultural workers

5. Fierce new champions have emerged

Yes, it’s a bit comic book, but the work of those behind the collective #GapsInSupport campaign has been nothing less than heroic. Rishi Sunak may pretend he isn’t listening, but he’s definitely heard.

Meanwhile, the seemingly tireless efforts and punchy campaigning of the likes of Ellie Phillips, Jodie McCallum and all those behind the Forgotten PAYE, New Starters For Justice, Forgotten Ltd and BBC PAYE freelancers groups is raising real awareness of the issue, with new major media coverage appearing every day.

It’s been a really tough time for some of us, but the campaign has, I suspect, provided a quite literal lifeline to those they represent – many of whom have now gone many months without income or appropriate government support.

Looking for funding opportunities?

The Creative Money newsletter brings you a fortnightly round-up, direct to your inbox.
Sign-up below!

6. That £1.57 billion support package

There are valid concerns about the government’s £1.57 billion support package for the arts. Are we going to wind-up sustaining cultural venues at the expense of our creative workforce? Is it going to materialise on time? Is the Arts Council funding process inherently biased to organisations overloaded with hefty salaries and administrative workers?

However, £1.57 billion is nonetheless a huge figure and a significant statement of support for the sector. Some of it has already fed through to the small venues fund (above), while £2 million has been split between HelpMusicians Financial Hardship Funding programme and UK Theatre’s Theatre Artist’s Fund.

What’s more, following this week’s deadline, the Culture Recovery Fund will soon be distributing grants between £50,000 and £3 million to successful applicants.

7. The tide just might be turning (albeit slowly)

It will come too late for many and maybe we’ll take a step backwards before we move forwards this winter, but the wheels of democracy are slowly turning in the creative industries’ favour. The Digital, Culture, Media and Sport Committee (which scrutinises the government’s DCMS department) has completed its inquiry into the impact of Covid-19 and has recommended the creation of “a sector specific deal that provides continued support for cultural workers, including freelancers and small companies…” Encompassing “long-term support, including tax reliefs, to rebuild audience figures and investment.”

This is by no means a done deal – the government has two months to respond and may well mumble about the £1.57 billion and do little else – but it is a positive step. Let’s hope it’s the first of many.

Silver linings for creative workers
Photo by Aakanksha Panwar on Unsplash

Creative Money Blogs include principles, resources and opinion pieces relating to personal finance for creatives.

How can we help you?

What issues are you facing? What questions do you have about managing your money in the creative industries? What would be most helpful to you?

We don’t have all the answers, but maybe we can find someone that does.

Send your questions and suggestions to creativemoneycontact@gmail.com.
We want to hear from you.

Categories
Guides

How does Patreon work for artists and creators?

Wondering how to start a Patreon page? Our in-depth guide takes you through the dos and don’ts, with expert insights from UK podcasters RedHanded.

Patreon is becoming an important platform for creatives looking to fund their work. Based in the US, the service launched in 2013 when YouTuber Jack Conte teamed-up with former college roommate and computer science graduate, Sam Yam.

Conte’s idea was to create a recurring payment system that would offer an alternative income stream for creatives who would be otherwise reliant on ad revenue. He contacted Yam, who coded it up and the rest is history – seven years on, the platform has overseen payments to creators exceeding $1 billion.

Here we’re going to take a look at how the platform works and what you can do to increase you chances of success on Patreon. To help us out, we’ve got Suruthi Bala from RedHanded podcast to offer some shrewd insights to the creator experience.

Alongside her podcast partner Hannah Maguire, Bala has taken their richly-reported true crime show from recording under a duvet (for sound-proofing purposes) to a point where it now generates an incredible $25,000+ a month from Patreon alone. Let’s get going…

How does Patreon work? Suruthi Bala of RedHanded podcast answers our questions
Suruthi Bala and Hannah Maguire of true crime podcast RedHanded

What is Patreon?

Patreon is technically a crowdfunding site. The platform’s great innovation – over the likes of Kickstarter et al – is that it allows users to set up a regular payment or subscription (as opposed to a one-time pledge) to the project or creator. This means fans can offer their favourite creators continuous support, usually in return for exclusive ‘rewards’ of the creator’s choosing.

Patreon benefits

The key benefit for creators is that it can simplify the process of earning money directly from their own work. If people like what you do, they can support you financially, enabling you to create more (or pay your gas bill). The idea is that this can be built-up over time to form a regular income stream for the creator, although success is by no means guaranteed.

“The functionality of the platform is outstanding,” says Bala. “[It is amazing] how easy it is to use and explain to listeners, as well as how flexible it is to build a subscription strategy that is right for you and your patrons.”

The platform also benefits from a high degree of brand recognition compared to many of its rivals – and that can be particularly beneficial when you’re asking people to sign-up with their payment details.

Patreon logo

Starting a Patreon – is it right for me?

There are a few factors to consider when starting a Patreon page and creating a useful level of income usually requires three things…

  1. An existing audience of a decent size and dedication (or the time to build one)
  2. The ability to create and understand the rewards that actually appeal to that audience
  3. The means to support yourself while you figure all this stuff out

However, the above can be said about almost all crowdfunding/ membership platforms. Suffice to say, you may not be quitting your day job straight away – as ever in creative circles, be very wary of any ‘opportunity’ that suggests otherwise – but that doesn’t mean it’s not worth starting.

“We’ve been using Patreon since December 2017,” says Bala. “It felt right for us, firstly because people seemed aware of it – our audience actually berated us into setting up a Patreon!”

At this point we would like everyone to note that when people ask to give you cash, you should help them to do so.

“Our audience actually berated us into setting up a Patreon!”

Suruthi Bala

“[Even then] we didn’t at first because we weren’t sure anyone would want to support us!” admits Bala. “But we were definitely wrong… It has been so transformative for us, the ability to monetise specific content and easily distribute it, as well as the way in which we’ve been able to build a community via Patreon, is fantastic.”

Of course, the transactional nature of Patreon’s reward tiers means you are essentially exchanging your creative output for cash. This is no bad thing in the eyes of Creative Money (obvs.), but some may feel they don’t want to price or paywall their work in this way.


Where do you draw the line? Read the blog post ‘The Starving Artist vs. The Sell-Out’ – the struggle of the creative worker for more thoughts on this.


Patreon membership – know and grow

“It wasn’t an overnight success,” says Bala of RedHanded’s debut on the platform. “But that was because we weren’t able to spend a decent amount of time creating for just patrons. The beauty of Patreon is to us: what you put in, is what you get out.”

As mentioned above, an existing audience is a big help, particularly, as you will likely only get a small percentage of the group who want to contribute something financially. However, the better the relationship you have with your audience, the higher the chance of success and the easier you will find it to create appealing rewards.

“I’d say that there are three types of patrons,” says Bala. “The transactional type – ‘what content have you got that I want – and can I afford it?’; The supporter – those who don’t care if you post on Patreon at all, they just want to help; and the in and outers – those who like a specific bit of content one month, pop in and leave.”

Want to make sure you never miss a post? 
Sign up to the Creative Money newsletter!
Let me read it first >

What tiers and rewards should I set on Patreon?

A key piece of advice is to think about your fans and ensure that there are tiers suited to all budgets. After all, you don’t want to exclude anyone who wants to support you.

In terms of rewards, think about what (predominantly non-physical) things you can offer that will easily scale and do not require a huge amount of extra labour or man hours to deliver.

For instance, if you are a music producer, perhaps share some presets packs for your favoured software. If you make art, consider long-form videos of you working. If you produce written or recorded material, consider what evergreen content or access perks might appeal to patrons, or a reward that acknowledges your patrons in some way.

“Our most popular tier is actually our $10 tier and this was something we definitely planned”

Suruthi Bala

You might be surprised just how much your ideas about the best rewards differ from those of your fans, so it’s worth reviewing your tiers periodically in order to figure out what is working.

Our tiers are: $2, $5, $10 and $20,” explains Bala. “As part of our strategy we really wanted to focus on building volume at the $5 and $10 tiers. Our most popular tier is actually our $10 tier and this was something we definitely planned.”

For RedHanded, the lower tiers get shout-outs, early releases and ad-free episodes, while the higher tiers get extra podcasts and (at the top end) an exclusive enamel pin.

“We did a ‘rewards audit’ in December 2019,” says Bala. “We noticed that there was a big jump in value between $2 and $5 and between $10 and $20, but not much between $5 and $10 – meaning people were obviously opting for $5. Why double your subscription for not much more? So we added high-value content to the $10 tier, working on the theory that people would upgrade – and they did!”

Patreon for artists and creators – RedHanded podcast's Hannah Maguire and Suruthi Bala

How to make money on Patreon

Bala says ‘the supporters’ piled-in quite quickly, but it wasn’t until October of last year that they started to make exclusive content, increasing their appeal to more transactional fans. This is when the money it generated started to really grow.

They did as much as they could before that point and it seems that rather than going all-out, it was creating rewards that were easy to fulfil initially – early releases and ad-free offers – which allowed the duo to stay the course and, eventually, to go full-time on the podcast.

“Last month we made $37,386 – and this is now our main revenue stream for the show”

Suruthi Bala

“The growth was slow and steady but as our listeners grew our Patreon income grew organically,” says Bala. “In March 2019 Hannah went full-time – in large part thanks to Patreon – and at this stage we started doing Patreon-only content. The boost this gave us enabled me to go full-time in August 2019 [and] because we then had the time, we rolled out a massive Patreon strategy with clear and regular benefits for each tier. It changed the game for us!

“From January 2020 to now [August 2020] our Patreon income has grown by 130%! Last month we made $37,386 – and this is now our main revenue stream for the show.”

Once the money starts to come in, you can withdraw cleared funds whenever you want or setup auto payments from your balance using direct deposit, PayPal or money transfer service, Payoneer.

How much does Patreon take?

Patreon offers three plans: Lite, Pro and Premium. None of them cost anything to setup and all of them make money by charging both patrons and creators. The three plans offer various levels of support and perks, though its worth noting that you’ll need the Pro account to set different reward tiers.

The Lite plan takes 5% of your monthly income, while the Pro and Premium packages take 8% and 12%, respectively. All the plans will charge your patrons payment processing fees and these can vary according to the currency you use. The standard dollar rate is 2.9% + $0.30.

What mistakes do people make on Patreon?

A common error you’ll see people make on their Patreon pages is not creating any real motivation for potential patrons to subscribe, or to raise their tier.

If you set up a page and say ‘Help me to keep doing this…’ without anything in return, you’re unlikely to have much success. Instead say, ‘Help me keep doing this and I’ll send you these resources, plus exclusive insights into my process and behind the scenes extras.’ Be specific about what this will be.

“Once someone has a bad experience on your Patreon they are hard to win back”

Suruthi Bala

As you go up through the tiers, make sure, as RedHanded did to great success, you give people a real reason to increase their monthly subscription. Think carefully about what you can easily fulfil, though – if you’re offering fans the chance to name your firstborn and a custom wood carving of their face for every $5 membership, you might be over-stretching yourself.

We ask Bala what mistakes she has spotted. “Not being able to dedicate enough time to it,” she says. “And over-promising and under-delivering. Once someone has a bad experience on your Patreon – i.e not receiving physical rewards, or not liking the content, or the content not going out as promised – they are hard to win back.”

What does work then?

This is often overlooked, but you need to do something that at least some people really like and feel a genuine affinity with. RedHanded’s balance of humour, insight and terrifying detail has helped them develop something of a fan army – dubbed the Spooky Bitches – and they are really loyal.

“We are incredibly lucky with the following we have developed,” says Bala. “I don’t think we have any big secret as to how we’ve done it, though. We just focus on great, well-researched content, talking about topics we are authentically interested and passionate about and we put it out like clockwork. And we bring our personalities into it, which definitely makes people feel more attached to you, your success and the show.”

If she had to boil it all down then, what would Bala say is the key takeaway for Patreon newbies?

“Get started, have a plan, think about the strategy (ie. what is value for money at each tier), think through what is realistic (like how often can you really upload, and if it’s physical rewards – figure out how expensive that is), then TELL your audience regularly about your Patreon… And then just do it!”

How can we help you?

What issues are you facing? What questions do you have about managing your money in the creative industries? What would be most helpful to you?

We don’t have all the answers, but maybe we can find someone that does.

Send your questions and suggestions to creativemoneycontact@gmail.com.
We want to hear from you.

Categories
Guides

How to start saving (when you don’t think you can)

You know you should start saving but you don’t. Can we change that?

Everyone knows they should be saving, but while this painfully obvious advice is wheeled-out ad nauseam, the bigger issue is HOW to start saving in the face of personal limitations, whether they’re financial or mental. Here are five tips to help you get started…

Savings are a catch-22 situation for many creative workers – if your earnings are low or inconsistent, then it’s more important to have the security of savings, yet harder to build that cash cushion. It’s no wonder many of us feel it’s impossible to start, particularly amid the current economic situation.

If you’ve tried and failed to save before, or are looking for a way to start, consider instead how you can create a process – a savings production line for yourself.

Lofty and unsustainable savings goals can do more harm than good. Make it your aim to simply start

Lofty and unsustainable savings goals can do more harm than good for new savers, demotivating us before the habit is established, so try focussing on forming and rewarding the habit itself.

Make it your aim to simply start and set something aside for a period of time, if the amount varies or seems small that’s still a victory. You’re building a habit right now, not a war chest. Once the habit is formed, you can build from there by increasing amounts and starting to think more about where to direct the cash.

Whether’s it’s £1 or £100, most of us can save something – and something is always better than nothing.

Want to make sure you never miss a post? 
Sign up to the Creative Money newsletter!
Let me read it first >

1. Automate it

If you have any form of regular income, whether it’s salary, recurring freelance work or even a benefit payment, set up a standing order to your savings account to go out the day it lands in your account. Start small. The aim is to set aside an amount that you won’t notice is missing later in the month.

If your income is entirely variable, create your own automation by setting aside a small percentage from each payment you receive – again, start small – try 5%.

2. Round-up your spending

There multiple banking apps out there now that will enable you to round-up transactions to the nearest pound and deposit the difference in a savings account. This can be useful for freelance and creative workers because it creates a form of automation that’s not dependent on having a predictable, consistent income.


Struggling with your cash flow as a freelancer? Take a look at our guide: ‘How to manage your money on a variable income’


3. Use a different bank for your savings

If you have an issue with raiding your savings, then pay them into an account with a different bank or building society and don’t check the balance. Just pay it in regularly and forget about it. Consider this money dead to you for the year – a gift to your future self.

Your future self might want to check the balance in 12 months, or in the New Year, or tax season. But by that point the habit should be set.

Finally, make sure any institution that you save with is UK-regulated and therefore covered by the Financial Services Compensation Scheme (FSCS) – this protects your savings (up to £85,000) if the bank fails.

How to start saving money - build in steps
Photo by Damir Spanic on Unsplash

4. Build in steps

This is a great idea if you’re used to spending all of your income. Start by setting aside an amount you know you won’t miss and then increase the standing order every month. It allows your spending to adapt slowly and in a way you will scarcely notice. Even if you start with £5 and increase £5 a month from there, after a year you could wind-up with £390 in the bank and a regular savings habit of £60 a month. At that point, even if you don’t increase the standing order any further, you would be setup to save a further £720 in the following year.

5. Get the government to help you

If you’re entitled to Working Tax Credits or Universal Credit, you may be eligible for a Help To Save account. If accepted, you can pay in between £1 and £50 a month and the government will give you a bonus 50p for every £1 you save.

The bonus is paid after years two and four and is based on the highest balance you managed to save in each two year period. If you pay in the maximum amount each month, you could save £2,400 over four years – and get an extra £1,200 from the government. That’s a guaranteed return of 50% on offer, which is huge!

How to start saving money
Photo by Damir Spanic on Unsplash

How can we help you?

What issues are you facing? What questions do you have about managing your money in the creative industries? What would be most helpful to you?

We don’t have all the answers, but maybe we can find someone that does.

Send your questions and suggestions to creativemoneycontact@gmail.com.
We want to hear from you.
Categories
Guides Resources

UK arts funding, grants and development opportunities

Here you’ll find a list of UK arts funding opportunities, split into sectors. Also included are other grants and selected development or training opportunities relevant to the creative industries.

Current opportunities will usually appear first in the Creative Money newsletter and then filter through to this page. The newsletter is totally free, so sign-up below if you want to get a head start.

Want to make sure you never miss a post? 
Sign up to the Creative Money newsletter!
Let me read it first >

Want to let an audience of UK creative workers know about a funding, grant or development opportunity? Seen something we’ve missed? Drop us a line using creativemoneycontact@gmail.com.


Skip to sector:

Relevant ‘evergreen’ funding opps or resources will be listed under the ‘ongoing’ section for each sector.


In need of financial support amid the Covid-19 pandemic? We’ve rounded-up some options here: Coronavirus support: resources for the creative industries


Multi-sectoral support

Ongoing
The Arts Council National Lottery Project Grants

Supports artists, community and cultural organisations with grants in the range of £1,000-£100,000. Their remit has been tweaked (and will remain so until April 2021) for the recent relaunch in order to better respond to the needs of individuals, freelancers and small organisations working within or supporting the arts.

Clore Duffield Foundation

Funds UK arts/social charities (particularly performing arts) on an ongoing basis with grants ranging from £10,000 up to £1 million. You can apply anytime but it’s worth noting that the trustees only meet to make decisions twice a year – normally in June and December.

The Idlewild Trust

Funds registered UK charities working within the arts sector – in particular, projects relating to the nurturing of talent and development of professional opportunities – with grants of up to £5,000.

Art/design

Up to £25K grants for British Council Arts UK in Australia season

All or part of the project must be presented in Australia between 1 September 2021 to 13 March 2022 and align with the theme ‘Who are we now?’ Deadline: 17 August, 2020

Work/Leisure wants has put out a call for new and mid-career artists

Work/Leisure is inviting emerging and mid-career artists, living and working in the UK/Europe, to create new work in 2020. Successful applicants will be provided with an overall budget of £1500 and administrative and curatorial support from the W/L team, Abingdon Studios, and residency partners. Deadline: 17 August, 2020

Jerwood Art Fund Makers Open 2021

Jerwood Art Fund Makers Open 2021 has five £5,000 grants for early-career UK-based artists and makers to develop and present ambitious new works. Deadline: 26 August, 2020.

Unlimited launches new commission round for disabled artists

Unlimited is an arts commissioning programme that enables new work by disabled artists to reach UK and international audiences. They will have £500,000 to commission work from disabled artists and companies in three strands: Main Commission awards, Research and Development awards and Emerging Artists awards. Applications don’t open until October, but they’re getting the word out nice and early. Deadline: 27 October, 2020

Audio/radio

Update coming soon…

Film/TV/video

BFI/Doc Society Short Film Fund

A fund to support emerging UK creatives in all-forms of non-fiction film, including immersive and VR projects. Successful applicants will get a grant of up to £15,000 for production costs and projects must not be more than 40 minutes in length. Deadline: 18 August, 2020

€1.5 million for Cinemas as Innovation Hubs for Local Communities

The Commission is launching a €1.5M call for proposals to create innovative cultural hubs around cinema theatres, notably in areas where the Covid-19 crisis has had a very strong impact. Deadline: 21 August, 2020

Ongoing
Creative England’s New Ideas fund

Creative England’s New Ideas Fund can offer grants between £1000 and £25,000 to support the development of new and innovative ideas for screen-based storytelling entrepreneurs and businesses in the English regions. Applications considered on a rolling basis.

BFI Young Audiences Content Fund

A fund supporting the development and/or production of broadcasting content with public service values for under-18s in the UK.

BFI Network

A development and networking platform from the BFI, aimed at supporting new and emerging film talent. Offers some funding, though its short film grants have been currently paused due to COVID-19.

BFI Development Funding

Intends to back projects that might not otherwise secure early-stage financing, though you need to demonstrate prior filmmaking experience to qualify. Funds have been tweaked to front-load payments, if necessary, during COVID-19.

Music

Ongoing
HelpMusicians Funding Wizard

Yes, the name is daft, but this is an incredibly helpful tool for quickly assessing your music funding options. You simply enter some information in the form (type of musician, genre, career stage etc.) and it produces a list of potential funding opportunities for you.

Publishing

Call for disabled writers to pitch arts pieces

Art UK is looking for pitches from disabled writers who want to write about art and artists. Explore http://artuk.org for inspiration. Rates are around £100–£150 for pieces between 700 and 1,200 words. Send your pitches to andrew.shore@artuk.org and lydia.figes@artuk.org

Ongoing
Journo Resources: funding

The website Journo Resources has a great section and newsletter on funding for journalists.

Theatre and Performing Arts

Update coming soon…

green and white braille typewriter
Photo by Markus Winkler on Unsplash

How can we help you?

What issues are you facing? What questions do you have about managing your money in the creative industries? What would be most helpful to you?

We don’t have all the answers, but maybe we can find someone that does.

Send your questions and suggestions to creativemoneycontact@gmail.com.
We want to hear from you.
Categories
Blogs Opinion

The ‘starving artist’ vs ‘the sell-out’ – the struggle of the creative worker

Our thoughts on the financial outcomes of life as creative workers often seem to fall into two categories: ‘the starving artist’ and ‘the sell-out’. If only it were that simple…

I would wager that everyone who earns money from creative work has wondered at some point whether or not they’re ‘selling-out’. The tropes at the heart of this struggle are are within us all: the starving artist has unimpeachable integrity but negligible income, while the sell-out picks their gigs by the paycheque. They remain locked in combat, fighting for our very souls.

We’ve all likely had cause at some point to embrace the starving artist and some of us even come to experience life at sell-out end of the scale – gaining a full understanding of the ambiguous privilege of considerable wealth and fame.

Straight line thinking – how people often think about income and integrity

Sometimes, we may also consider the evener rarer ‘third way’, wild success on our own terms – let’s call this ‘the rockstar’ – but this often seems even further removed from our view of the achievable (though Seth Godin’s The Icarus Deception argues the opposite).

At other points, we may feel we have no option but to leave an industry, or take some other work on in purely to pay some bills.

Anyone who’s even come near to experiencing true poverty knows that the starving artist cliché is a false romance

What’s interesting is the extremities of these viewpoints – that we seem to ascribe the myriad outcomes of our creative work as an ‘all or nothing’ endeavour. The truth of it, though, is that it is a spectrum – and that existing on that spectrum, rather than at one of two extreme poles, is not such a bad place to be.

Anyone who’s even come near to experiencing true poverty knows that the starving artist cliché is a false romance. It’s been perpetuated throughout history, often by patrons in positions of wealth, but while understanding or experiencing poverty and the broader human condition has no doubt informed great creative work, it is certainly not a route to happiness. In fact it is, by definition, a direct route to unhappiness.

What’s it worth?

At the other end of the scale, it is widely acknowledged that while wealth can help you ‘buy’ a certain level of happiness, the benefit of greater wealth tails-off dramatically once you’ve covered your basic needs and a few extra comforts. This is a phenomenon that US blogger Mr Money Mustache has popularised and termed the Marginal Utility of Money.

Want to make sure you never miss a post? 
Sign up to the Creative Money newsletter!
Let me read it first >

Even Warren Buffett, the 89 year-old billionaire CEO of Berkshire Hathaway – and at one point the world’s richest person – counsels against the pursuit of wealth for its own sake. And this is a guy who bought his first shares aged 11.

“Doing reasonably well in this country really is pretty darn good,” he said, talking to US students in 1999. “Great wealth is the tiniest bit different, in a real sense, than having just a decent income. To trade a decent income and something you love doing… for huge wealth where you trade a lot of your principles would be a terrible mistake.”

So, if we agree that both extremes are flawed and stop trying to define our financial personalities against a minority of outliers, what does the right path actually look like? And what’s a reasonable income?

Great wealth is the tiniest bit different, in a real sense, than having just a decent income

Warren Buffett

That is yours to decide. For me, it’s enough to cover living expenses, to be able to pay for a few home comforts and holidays and to save enough to retire within the next 25 years (WHAT!?) At the more luxurious end, I’d like to spend as little time on compulsory work as possible. I like my work, but I value freedom even more.

Figuring out the numbers behind these goals is really useful to making sure you’re actually on course to meet them.

I discussed why tracking your spending is key to understanding your cash flow (and therefore getting some control over a variable income) last week, but there are other benefits to that process, too. When you know how much you spend, you know how much is enough. You know when you can stop, or say no.

As far as possible, I’d also like to get to these points above without doing work that I do not personally believe in.

Don’t do dogma

A line from our recent How I Make It Work interview with freelance journalist Lydia Wilkins sticks with me here.

“‘At the end of the day, you only have yourself to answer to.’ Regardless of having to pay your bills, keep to deadlines… if it ‘sits right’ – then that’s okay.’”

If you operate with integrity, then you avoid selling-out yourself, but only you can judge what that might look like.

The ‘starving artist’ trope comes from a belief system and, as with any belief system, there will always be a vocal minority of hardliners, who refuse to question the dogma out of some fear that the world will unravel. Instead, each of us needs to decide on our personal beliefs and principles around money and creativity – and make decisions accordingly.

There’s a broad, rich spectrum between ‘the starving artist’ and ‘the sell-out’

If you lean towards the starving artist axis then, contrary to the thinking of many, you’ll likely need to watch your expenses closely. What’s more, planning for the future and times of poor cash flow becomes even more essential.

If you lean the other way, gaining a higher income, then you may have more flexibility with your spending and insurance against the risks you take (some of which might pay-off handsomely). However, to gain true satisfaction from your work, you will likely still need some measure of your personal values built-in to it – lines you don’t cross. This might be to do with the ethics of the organisations you work with, the relative creative appeal of jobs etc. Knowing your values helps you to navigate the path.

The full spectrum – the options are much broader than many of us realise and the path you tread might change according to your priorities at the time

For instance, in my case, I am open to many different types of work. My main gig is music journalism, but I’ve written copy and advertorials, I’ve run events and managed projects, I’ve led degree courses and taught. But I’ve come to understand that if the only reason I want to take a job is the money – and I can find no other appealing features in terms of the work, my personal or career development, or the organisation I’m working with – then I am going to regret that decision.

Not everyone will feel that way – or feel they have the option to do so (particularly right now) – but that’s OK. Indeed, that’s the whole point. Creative Money is not here to promote the pursuit of untold riches, but simply to help you figure out how you can sustain yourself over the long term as a happy, creative person.

There’s a broad, rich spectrum between the tired clichés of the starving artist and the sell-out. Where do you want to be?

person holding click pen
Photo by Alice Dietrich on Unsplash

Creative Money Blogs include principles, resources and opinion pieces relating to personal finance for creatives.

How can we help you?

What issues are you facing? What questions do you have about managing your money in the creative industries? What would be most helpful to you?

We don’t have all the answers, but maybe we can find someone that does.

Send your questions and suggestions to creativemoneycontact@gmail.com.
We want to hear from you.
Categories
Guides

How to manage your money on a variable income

Are you self-employed, freelance, or a contractor with a variable income? Here’s how to cope with the financial peaks and troughs

Nearly half of creative workers (47%) are freelance or self-employed (source: ONS, 2017). Chief among those are writers, producers, artists and directors – it’s a large and significant part of almost all creative industries. One of the key challenges for this group is managing money on an irregular or variable income. So what can we do to smooth-out the financial ups and downs that we will inevitably face in a given year?

The key is learning to syphon-off your income in normal and higher-earning months into a ‘top-up fund’, so you can top things up from your savings when needed.

This would be easy if humans were calm, logical creatures, but we’re not – so we need a way to tell whether or not we should save or withdraw (and by how much) in a given month.

Turning a problem into a question

If we put a little effort in upfront, we can save ourselves from guesswork down the line.

In order to do this, we’re going to answer these five questions…

  1. How much do I earn?
  2. How much do I spend?
  3. How much am I normally left with?
  4. How can I create a more consistent income?
  5. How much do I need?

Why? Well, if you know how much you earn and how much you spend in a given month, you can figure out what you are left with. This is your personal cash flow.

All businesses ultimately survive or perish based on their cash flow (overall, is there more money flowing in than flowing out?) and it’s the same in your personal finances.

Once you have a predicted cash flow figure for the month, you know whether you will likely need to pay in or out from your savings (your ‘top-up fund’) for that period. This will help smooth-out that variable income over the longer term.

Answering the final question (‘How much do I need?’), gives you the comfort of knowing the minimum amount you’ll need to live on in a given month. The bigger the gap you can create between your income and this essential spending, the more you can potentially save into your top-up fund – and the bigger cushion you’ll have to smooth-out the financial ups and downs.

This is quite a lot of information to pull together initially, so I’ve put together a spreadsheet to help you keep track and – if it all goes to plan – to do some of the calculations for you.

Free spreadsheet!

The sheet is designed to be used to log your answers to some of these questions and calculate your cash flow for a typical month.

You can then stop there, or you can use it to keep track over the longer term. Keep it up-to-date and the sheet will help you figure out how to spread your variable income more evenly throughout the year. We do this using a ‘top-up fund’.

You can download the sheet above and there are links and tips (in bold, with the lightbulb icon) throughout this piece to help you understand where to enter the relevant information.

Even with the whizzy spreadsheet above, this stuff can take time, so don’t stress if you find you have to do it in instalments. The clarity is worth the effort.

1. How much do I earn?

First, let’s figure out what you have coming in normally.

If you have any salaried work (or state benefit) that pays a regular, fixed amount, use your bank statements or pay cheque to find out your monthly income.

Make a note, or add this into the top ‘Salary income’ box for your ‘Typical Month’ on the supplied spreadsheet.

But I’m freelance and my income is a nightmare…

It’s a bit messy, but finding a past average is probably the simplest and most helpful place to start. We’re looking to smooth-out future dips and bumps in income, so a figure that represents the middle of your ‘normal’ range is useful here.

Ideally, you want to represent a long period with the average – a year or more – but you can hone this and update down-the-line. Right now, settle for making a start.

So… add up your income for your chosen period and divide the figure by the amount of months it covers.

Total income for period ÷ Number of months in period = Average monthly income

For instance, if you earned £12,000 in freelance income over 12 months, your average would be £1,000 a month.

Some ideas about where to find this information:
  • Banking apps (you may be able to just filter income only transactions)
  • Your income statement (where you track invoices etc.)
  • Your tax returns (dig out that Self Assessment login)
  • Ask your accountant

If you’re setup as a company, make sure you factor in your dividend income for the year here, too.

Once you’ve found it, make a note.

You can drop your average freelance income figure in the ‘Freelance income’ box of your ‘Typical Month’ on the spreadsheet. This will then be added to any salaried income or benefits you specified, in order to tell you your average total income.

Then take a break…

Want to make sure you never miss a post? 
Sign up to the Creative Money newsletter!
Let me read it first >

2. How much do I spend?

Now let’s figure out your spending for a typical month.

Sit down with your banking app or statements and go through your spending for the last month (or one you feel is truly representative of your typical expenses – if in doubt, be pessimistic).

Split the month’s spending into categories of fixed and variable expenses.

Fixed expenses

Your fixed expenses will be recurring bills and spending (e.g. rent or mortgage, insurance, gas/electric and other direct debits), which do not usually vary month-to-month.

You can enter your fixed expenses on the sheet, under – you guessed it – the ‘Fixed Expenses’ heading. Add the corresponding figures in the ‘Typical Month’ column.

Variable expenses

Variable expenses are things that may might vary month-to-month, for instance: travel costs, food shopping, eating out, or gifts and entertainment.

It’s a good idea to make groups under your variable expenses to reflect your spending priorities and help you to see where your money is going. There are some examples on the sheet above already. Keep it simple, though – no more than 10 groups.

If you just can’t face doing all of this immediately, settle for totting up any expenses not covered in your fixed category and lump them all in one ‘other expenses’ group.

(This sort of thing makes accountants reach for the smelling salts, but you can always come back and split this out out at a later date.)

Make a note of the totals.

You can enter your groups on the first column of the sheet under the ‘Variable Expenses’ heading and add the corresponding figures in the ‘Typical Month’ column.

Can I make a robot do this for me?

Yes! Or at least, sort of… There are several apps out there that will help to automate the process of grouping expenses. Some of the fancier bank apps do this and there’s also the likes of MoneyHub and Money Dashboard, which allow you to connect and monitor multiple accounts/banks.

You can set your own groups or categories for expenses, but you will have to check-in and tag/correct your transactions. However, it does ‘gameify’ it somewhat, so if you’re a phone addict, it could work for you.

Adding it up

Now add the total of your fixed expenses and variable expenses together. Hello, monthly spending!

Fixed monthly expenses + Variable monthly expenses = Monthly spending

Again, on the spreadsheet, it will do this for you and give you a figure for total expenses, as well as factoring in any savings you specify.

That’s the hardest bit done. Congratulations! Again, this is a good point to take a break.

3. How much am I normally left with (i.e. what’s my typical cash flow)?

If you’ve been using the sheet, just scroll down and look at the ‘cash flow for the month’ total to see what’s left in a typical month.

If you don’t want to use the sheet, you’re simply doing the following calculation for your example month:

Total income for month – total spending for month = cash flow for month

What does this mean?

If you have a positive number, this is an amount you can save to supplement leaner months, using a ‘top-up fund’.

Bear in mind, too, that this ‘Typical Month’ cash flow figure might look small, but you are using an averaged income at this point, so even a small surplus is a good thing. It suggests an overall trend of more cash flowing in than flowing out.

If you get a negative number at this point, it means that on average you are likely spending more than you earn (a negative cash flow), or are on course to do so in the near future.

Don’t panic – this is good information to have, but you will need to cut expenses or raise your income to sustain yourself over the longer term. Figuring out your essential expenses (Q5. ‘How much do I need?’) will help here.

4. How can I create a more consistent income?

The answer is to create your own overdraft, using a ‘top-up fund’.

As soon as you are earning more than you spend, set-up an easy-access savings account to set this remaining cash aside. This is your ‘top-up fund’. So how do we do use it?

One method is to simply use your average income (as logged under your ‘Typical Month’) as a guide, as follows:

Earn more than your average income?

Pay the difference into the top-up fund.

Earn less than your average income?

Withdraw the difference from your top-up fund.

Of course expenses vary as much as income and most of us will need to keep a closer eye on things.

If you want to keep a better track on your finances and expenses, update the sheet monthly with your income and predicted spending and it will tell you whether to save or withdraw the ‘cash flow for the month’ figure.

* Updating requires much less effort than finding the initial figures, particularly if you set up your expense groups using an app – you’ve done the hard work already.

My mind won’t let me do this. It needs shiny things.

I hear you. Some things that might help you:

  • Make the ‘top-up fund’ deposit/withdrawal early – as soon as you can once payments have cleared.
  • Keep your ‘top-up fund’ with a different bank. You still want easy access, but for some reason the mental difference of having to login to a different platform can make you less inclined to dip-in to those savings.
  • Use separate accounts for bills (fixed expenses) and variable spending. Direct your earnings to a bills account and then transfer a regular amount (your variable expense total) over to your spending account and spend according to your priorities that month, knowing your bills are covered. Once you run out of cash in your spending account, that’s your lot for the month.
  • Don’t think of your ‘top-up fund’ as spare money. It is essentially your future income. ‘Borrowing’ too much from it now is like a salaried worker asking for an advance.

5. How much do I need?

Need to create a bigger gap between your earnings and spending? First, find out your essential expenses…

Look over your spreadsheet/notes/crumpled napkin with your expense totals and consider which items could be cancelled or easily and quickly reduced, if necessary.

For instance, rent is still considered compulsory by most landlords, but you may be able to avoid the posh shops for a bit and spend less on food.

If you’re using the spreadsheet, simply duplicate your ‘Typical Month’ column expenses to the ‘Essential Expenses’ column and remove/reduce, accordingly.

Add it all up. Now you know your essential spending – the bare minimum amount you could exist on from either your income, or savings.

Are you asking me to remove all joy from my life?

No, but this figure is really useful to bear in mind for a number of reasons, for instance…

  • If you’re making an effort to boost your ‘top-up fund’ or other savings (because income – essential expenses = your maximum current saving rate).
  • If you want a minimum earnings goal, particularly if you are risk averse and keen to always avoid spending more than you earn (creating negative cash flow) within a month.
  • If you’re assessing whether or not you can afford to pass on that boring work you’ve been offered, or start that new thing.

Found it hard to save in the past, or looking for a way to get started? Check out our tips on How to start saving (when you don’t think you can)


I’m doing it! It’s worked! What next?

Keeping one eye on your cash flow is key to avoiding nasty surprises. If you keep the sheet up-to-date, it can help you do this.

It has columns for ‘Year Total’ and ‘Year Average’, too, which can be really helpful in showing whether your overall cash flow is positive or negative for the year, as well as your average income etc. The year average can then me imported to the next year to form the basis of your ‘typical month’ column and the cycle starts over.

As you get more confident, it’s a good idea to start to increase your top-up fund savings (by cutting costs, or boosting income) until you have at least a month’s ‘salary’ on-hand.

A final note…

This approach should be regarded as a useful rule-of-thumb. It is a collection of various techniques that have worked for me, but it is not 100% foolproof.

For instance, it initially relies on your past income and predicted spending trends prevailing to keep your top-up fund savings balanced, which (particularly in the current climate) will not always prove to be the case.

In addition, the more dramatically your income fluctuates (say, you have three or four ‘big’ paydays, which sustain you through the year), the more you will need to set aside before you start using this technique regularly. In this case, build the ‘top-up fund’ as much as you can for time being and implement the system following your next big payday.

Nonetheless, the above represents my best effort to date. As we gather more ideas and resources on Creative Money, I will endeavour to update this guide and the spreadsheet.

Ultimately, the minimum you’ll get out of it is a better knowledge of your earnings, spending and the importance of cash flow, all of which can be really useful. Give it a go and let me know how you get on!

Photo by Fabian Blank on Unsplash

How can we help you?

What issues are you facing? What questions do you have about managing your money in the creative industries? What would be most helpful to you?

We don’t have all the answers, but maybe we can find someone that does.

Send your questions and suggestions to creativemoneycontact@gmail.com.
We want to hear from you.